Elia Monte-Brown

Born and raised in the East Village, Elia is a professional actor, writer and educator. She has received an MFA from The Yale School of Drama (Acting), an MS in Childhood Education from Pace University and a BA in Cultural Anthropology and Peace and Conflict Studies from University of Southern California.

Elia is an NPC O’Neill Finalist (2024), Juilliard Lila Acheson Wallace American Playwrights Program Finalist (2024), Terrance McNally Incubator Finalist (2024) and a Playwrights Realm Fellowship Finalist (2022). Elia is also a founding member of two writer’s groups: Veronica, a female playwrights collective and Writers Gym, who wrote 1,000 pages in the pandemic.

As an actor, she has worked at New York Theatre Workshop, Theatre for a New Audience, The Guthrie, Shakespeare Theatre of...

Born and raised in the East Village, Elia is a professional actor, writer and educator. She has received an MFA from The Yale School of Drama (Acting), an MS in Childhood Education from Pace University and a BA in Cultural Anthropology and Peace and Conflict Studies from University of Southern California.

Elia is an NPC O’Neill Finalist (2024), Juilliard Lila Acheson Wallace American Playwrights Program Finalist (2024), Terrance McNally Incubator Finalist (2024) and a Playwrights Realm Fellowship Finalist (2022). Elia is also a founding member of two writer’s groups: Veronica, a female playwrights collective and Writers Gym, who wrote 1,000 pages in the pandemic.

As an actor, she has worked at New York Theatre Workshop, Theatre for a New Audience, The Guthrie, Shakespeare Theatre of DC, The Huntington, ACT, The Williamstown Theatre Festival and The Humana Festival among others. Elia has worked on over twenty Film and Television productions. Credits include but are not limited to “FBI”, "New Amsterdam", “Search Party”, “The Deuce" and “The Savant” (Apple TV, 2024).

Elia is also a certified teacher with over nineteen years of teaching experience. She currently teaches theatre through a social justice lens at Lincoln Center Theatre, BAM, and The Manhattan Theatre Club. She also leads playwriting workshops on Rikers Island men’s facilities via MTC’s Write on the Edge Program. Elia is also on faculty in The Experimental Theatre Wing, NYU Tisch School of the Arts where she teaches Advanced Scene Study, Chekhov Lab, Finding Freedom in Challenging Text and proudly devised and directed the 2021 Spring Show, Rituals for a New Future.

Scripts

Grace

by Elia Monte-Brown

Synopsis

The story of Grace follows Idea (pronounced eye-day-ya) Velasquez and Miss Serena, her Senior Year English teacher.

Serena is a teacher ten years in with the exhausting curse of hope and determination to fix a failing system.
We meet Serena in her classroom and living room as she, the do-gooder (teacher) is faced off with her fiancé, the realist (DA) in a battle of wits and attempts at finding a path to...

The story of Grace follows Idea (pronounced eye-day-ya) Velasquez and Miss Serena, her Senior Year English teacher.

Serena is a teacher ten years in with the exhausting curse of hope and determination to fix a failing system.
We meet Serena in her classroom and living room as she, the do-gooder (teacher) is faced off with her fiancé, the realist (DA) in a battle of wits and attempts at finding a path to justice. Her star student Idea Velasquez (scoring a mere “proficient” on her English Language Arts Regents) is bravely playing the game of Grace HS to the best of her ability, and, considering the cards she was dealt, High School is an Olympic Sport. At age 13 she was the victim of rape (as 18% of women in New York City are ). As a result, she suffers from post-traumatic stress. So, when the Dean of her high school, (a perp who is, to many students an ally within these highly policed halls) assaults her, she stabs him. Fatally.

The play opens with Idea at arraignments and closes with Idea’s sentencing.

One Here. Two There.

by Elia Monte-Brown

Synopsis

This is a play
and meditation
about just before now
and the end of the world.
It suggests a short linear jump from here to there.

It’s also about the colors people come in.

It takes place during a pandemic but it’s not about that (it is, but I’m selfishly using it as a means to move toward the nihilistic freedom of being alive in an apocalypse.)

This play takes place in two realms. And there is a chorus...

This is a play
and meditation
about just before now
and the end of the world.
It suggests a short linear jump from here to there.

It’s also about the colors people come in.

It takes place during a pandemic but it’s not about that (it is, but I’m selfishly using it as a means to move toward the nihilistic freedom of being alive in an apocalypse.)

This play takes place in two realms. And there is a chorus.
girl handed over by her drowning mother starts to remember those hands.

Paro

by Elia Monte-Brown

Synopsis

Parō is a choral play for three voices that investigates the space and rhythm of movement through matrescence.

Parō is a choral play for three voices that investigates the space and rhythm of movement through matrescence.