Elaine Avila’s writing is described as “bold, intelligent, forthright, spirited, compassionate, inviting, wide ranging” (Caridad Svich); “open, generous,” (Erik Ehn); and “stunningly effective, poetic and insightful.” (Kathleen Weiss). Suzan-Lori Parks describes her as "tremendously gifted, reliable and innovative...a great joy. Elaine Avila is a wonderful writer."
Her plays are produced in Central America (Teatro Lagartija, National Theatre of Panamá); Canada, (Canadian Centre for Theatre Creation, Theatre SKAM, Puente Theatre, SNAFU Dance Theatre); New York City (Saudade Theatre, Ontological-Hysteric Theatre, Hybrid Theatre Works, Occupy the Empty Space); the U.S. (Tricklock, Theatre Simple); Lisbon, Portugal (Cafe A Brasileira, Kitimat); Pico, Azores (Portuguese Tomato) and London...
Elaine Avila’s writing is described as “bold, intelligent, forthright, spirited, compassionate, inviting, wide ranging” (Caridad Svich); “open, generous,” (Erik Ehn); and “stunningly effective, poetic and insightful.” (Kathleen Weiss). Suzan-Lori Parks describes her as "tremendously gifted, reliable and innovative...a great joy. Elaine Avila is a wonderful writer."
Her plays are produced in Central America (Teatro Lagartija, National Theatre of Panamá); Canada, (Canadian Centre for Theatre Creation, Theatre SKAM, Puente Theatre, SNAFU Dance Theatre); New York City (Saudade Theatre, Ontological-Hysteric Theatre, Hybrid Theatre Works, Occupy the Empty Space); the U.S. (Tricklock, Theatre Simple); Lisbon, Portugal (Cafe A Brasileira, Kitimat); Pico, Azores (Portuguese Tomato) and London, England (Tracey Neuls).
Recent plays: Jane Austen, Action Figure; Kitimat; The Ballad of Ginger Goodwin; Quality: the Shoe Play, La Frontera/The Border, Lieutenant Nun, Change, Memorial, Burn Gloom.
Selected awards: Audience Favorite/Best Drama/Victoria Critic’s Circle for Best New Play, DISQUIET International Short Play Award (Lisbon), New Works for Young Women Award (Tulsa), Best Production/ Audience Favorite—Festival de los Cocos (Panamá City). She has taught in universities from British Columbia to Tasmania, China to Panamá.
Publications: NoPassport Press (Jane Austen Action Figure and other Plays, 2012 in 24 Gun Control Plays, 2013, in Monologues for Latino/a Actors,2015 in Innovation in Five Acts: Strategies for Theatre in Performance, 2015; upcoming Climate Change Theatre Action Plays; After Orlando), Canadian Theatre Review, Portuguese American Review, Café Onda, American Theater, Contemporary Theatre Review. She is an Associate at the Playwrights Theatre Centre, served as Playwright in Residence at Pomona College and Western Washington University, on faculty at Disquiet International Literary Program in Lisbon, as founder of the LEAP Playwriting Program at the Arts Club Theatre in Vancouver, and as the Endowed Chair/Head of the MFA Program in Dramatic Writing at the University of New Mexico.
On Elaine Avila’s plays:
"Thanks to people such as playwright Elaine Avila, the legacy of the workers’ rights activist won’t soon be forgotten.... The migrant coal worker from England who took a stand against deplorable working conditions and promoted the proliferation of trade unions will once again be a living, breathing human intent on telling his story."
--Cascadia Weekly
“Subversive, full of surprises.” —Edmonton Journal
“Kitimat” has all the elements of a great drama, including two sisters on either side of an argument and a town torn between a barrage of lobbying and advertising from a big corporation and a grassroots community response that becomes international. --National Observer
“Passionate, hyper-Canadian.” —National Post
"It’s an exploration of the blending of cultures at a time when one (Spain) was busy pillaging the other (pre-colonial America.) But even more provocative, it’s an exploration of gender and identity. Protagonist Catalina de Erauso, a real-life 17th Century Nun who became a larger than life conquistador, finds herself adrift between two words when she’s found out after over a decade in hiding."--The Marble Theatre Review
"A quick-trot non-linear 70-minute piece held together by the challenges of being a woman and an artist simultaneously...How to be adventurous and creative when you’re a woman...Light and fun."--The Edmonton Journal
“Touching, exciting ... People will be talking about it for years to come.” —Monday Magazine