Contact: [email protected]
Aditi writes about family relationships, social change, and the South Asian diaspora. Her work has been produced at the Japanese American Heritage Museum, EST/LA, and Hollywood Fringe, and has been developed through Workshop Theatre, Dramatic Question Theatre, and Rickshaw Foundation. Her play The Great Tikka Tour, which was produced at the 2025 SheLA Arts Festival, was a semi-finalist for the O’Neill Theatre 2025 National Playwrights Conference, the Princess Grace Fellowship, and the 2025 Ojai Playwrights Conference. She has been a resident at Blue Mountain Center and has a new play commission through Artists at Play. She’s a recipient of the Signpost Fellowship for BIPOC writers, sponsored by the Dramatists Guild Association. She’s a current MFA student in...
Contact: [email protected]
Aditi writes about family relationships, social change, and the South Asian diaspora. Her work has been produced at the Japanese American Heritage Museum, EST/LA, and Hollywood Fringe, and has been developed through Workshop Theatre, Dramatic Question Theatre, and Rickshaw Foundation. Her play The Great Tikka Tour, which was produced at the 2025 SheLA Arts Festival, was a semi-finalist for the O’Neill Theatre 2025 National Playwrights Conference, the Princess Grace Fellowship, and the 2025 Ojai Playwrights Conference. She has been a resident at Blue Mountain Center and has a new play commission through Artists at Play. She’s a recipient of the Signpost Fellowship for BIPOC writers, sponsored by the Dramatists Guild Association. She’s a current MFA student in the Dramatic Writing program at USC. In high school, she was nominated as “Most Dependable,” which is the highest honor she’s received.