Megan Lohne is a playwright and screenwriter whose work explores identity, power, and the complicated relationship between performance and truth. Her work has been produced nationally and internationally, including Just Right (Smith & Kraus Best Short Plays of 2024, Samuel French OOB Festival), Bite Me (Glass Ceiling Breakers Festival), This Odd Geometry of Time (Edinburgh Fringe, ACTF Region II), and Too Solid Flesh (virtual immersive piece created during the pandemic). She has developed work with the Royal Court Young Writers’ Programme, Actor’s Studio PD Workshop, and Brooklyn Generator, among others. Other credits include Willoughby (Heideman Award finalist), Reinventing the Wheel (Smith & Kraus 2013), and Words Like Fresh Skin (Adelphi University, Governors Island).
Megan holds an...
Megan Lohne is a playwright and screenwriter whose work explores identity, power, and the complicated relationship between performance and truth. Her work has been produced nationally and internationally, including Just Right (Smith & Kraus Best Short Plays of 2024, Samuel French OOB Festival), Bite Me (Glass Ceiling Breakers Festival), This Odd Geometry of Time (Edinburgh Fringe, ACTF Region II), and Too Solid Flesh (virtual immersive piece created during the pandemic). She has developed work with the Royal Court Young Writers’ Programme, Actor’s Studio PD Workshop, and Brooklyn Generator, among others. Other credits include Willoughby (Heideman Award finalist), Reinventing the Wheel (Smith & Kraus 2013), and Words Like Fresh Skin (Adelphi University, Governors Island).
Megan holds an MFA in Playwriting from The New School for Drama and a BFA in Acting from Adelphi University. She is a proud member of The Dramatists Guild and the Actors Studio Playwrights/Directors Workshop. She also teaches, mentors emerging writers, and creates immersive theatrical experiences.