Maddie Rainer

At an extremely competitive all-girls Catholic boarding school, all is going not-so-well…as usual. That is until a quiet, unassuming student suddenly gains prophetic abilities after saving her classmate from a medical crisis mid-class. Word of the “miracle” spreads like wildfire, and soon she’s at the center of a fervent, cult-like following. To some, she’s saintly. To others, she may be the second coming of Christ. The group continues to grow larger and those on the outside of the following find themselves in a sticky position—Do they speak out and face social execution? Or lay low and play along? I mean, what’s the worst a group of high school girls could do?

Stigmata is a chilling horror play that exposes the dark power of groupthink and blind devotion. With a razor-sharp female ensemble, it explores the terrifying intersection of faith, frenzy, and the most fearsome force of all: teenage girls.

Lora shows up for yet another day at work at an uppity salon in her town. Little does she know, today is the day the new assistant is arriving for training, who just so happens to be her messy ex-girlfriend Maya. Now face to face with her biggest enemy, Lora must navigate getting through the work day, along with the antics of her other crazy co-workers.

Naomi has been saying it is her birthday every time she goes to a restaurant. Every time. For the past twelve days. She sees no problem with it, even though her put-together best friend Lara does. When an omnipotent time god in the form of a little British Boy visits her to tell her she is messing up the time space continuum, she is in for a rude awakening.