R. M. Lawrence

A prolific writer of poetry, plays, screenplays, and songs. Known on stage as "ranney," Lawrence is an accomplished actor, comedian, and performance poet.

A prolific writer of poetry, plays, screenplays, and songs. Known on stage as "ranney," Lawrence is an accomplished actor, comedian, and performance poet.

Scripts

Maestro (Pilot. Teleplay)

by R. M. Lawrence

Cast Size
8—16
Genre
drama

MAESTRO is a dramatic series about a misanthropic, underground jazz legend who after dying and coming back to life tries to change his life: his relationship with his band, his family, his friends and - most importantly - himself.

MAESTRO is a dramatic series about a misanthropic, underground jazz legend who after dying and coming back to life tries to change his life: his relationship with his band, his family, his friends and - most importantly - himself.

The Comedy Club (Pilot. Teleplay)

by R. M. Lawrence

Cast Size
8—16
Genre
drama

THE COMEDY CLUB tells the story of a fictional group of stand-up comics who emerge from all over the United States between the years of 1989 to 1999 to carve a seismic impact on pop culture around the globe.

THE COMEDY CLUB tells the story of a fictional group of stand-up comics who emerge from all over the United States between the years of 1989 to 1999 to carve a seismic impact on pop culture around the globe.

The Games

by R. M. Lawrence

Cast Size
2—3
Genre
comedy

THE GAMES is a two-hander about a pair of African-American actors in their twilight fulfilling the roles they are conditioned to play both on and off stage. The story centers on Desmond “Horny” Williamson and Vernon “Cane” Lattimore, who we encounter backstage during the final performance of Let the Games End, a fictitious adaptation of Samuel Beckett’s Endgame.

THE GAMES is a two-hander about a pair of African-American actors in their twilight fulfilling the roles they are conditioned to play both on and off stage. The story centers on Desmond “Horny” Williamson and Vernon “Cane” Lattimore, who we encounter backstage during the final performance of Let the Games End, a fictitious adaptation of Samuel Beckett’s Endgame.