Robert Shoemaker

Robert Eric Shoemaker (he/him) is a poet, translator, and interdisciplinary artist. His book, Magical Poetics: The Magic of Language and Real-World Effect Poetry, is forthcoming from Bloomsbury. He is the author of Ca’Venezia (Partial Press, 2021), an artist’s book of hybrid writing and visual art; We Knew No Mortality (Acta Publications, 2018), poetry and memoir; and the poetry chapbook 30 Days Dry (Thought Collection Publishing 2015).

Eric’s work has been nominated for a Pushcart Prize, Best of the Net, and Best New Translation, and he has won honorable mention in Spoon River Poetry Review’s Editor’s Prize. He is a 2025 30/30 participant with Tupelo Press. His writing is published with Rain Taxi, Zone 3, Tupelo Quarterly, Spoon River Poetry Review, Jacket2, ANMLY, the Poetry Foundation...

Robert Eric Shoemaker (he/him) is a poet, translator, and interdisciplinary artist. His book, Magical Poetics: The Magic of Language and Real-World Effect Poetry, is forthcoming from Bloomsbury. He is the author of Ca’Venezia (Partial Press, 2021), an artist’s book of hybrid writing and visual art; We Knew No Mortality (Acta Publications, 2018), poetry and memoir; and the poetry chapbook 30 Days Dry (Thought Collection Publishing 2015).

Eric’s work has been nominated for a Pushcart Prize, Best of the Net, and Best New Translation, and he has won honorable mention in Spoon River Poetry Review’s Editor’s Prize. He is a 2025 30/30 participant with Tupelo Press. His writing is published with Rain Taxi, Zone 3, Tupelo Quarterly, Spoon River Poetry Review, Jacket2, ANMLY, the Poetry Foundation, Rattle, Asymptote, Exchanges, Signs and Society, Entropy, Call Me [Out], Miracle Monocle, Gender Forum, Columbia Journal, Plath Profiles, the Louisville Review, Transom, Tiny Spoon, Call Me [Stranger], Analogies & Allegories, Bombay Gin, Barely South Review, and others.

Eric earned a PhD in humanities from the University of Louisville, an MFA in creative writing and poetics from Naropa University, and a BA in theatre and performance studies from the University of Chicago. Eric has been a featured speaker on PBS’s Remember Them as well as the podcasts PoemTalk, Perks of Being a Book Lover, and Business Boss. He has performed and lectured at venues including Speed Art Museum and the Frazier Museum in Louisville, Kentucky; the Fox Theater in Boulder, Colorado; Remy Bumppo Theater; the Chicago Public Library’s Poetry Day; and many others. His installations and artwork have been exhibited at East Window gallery and Naropa University, as well as other venues. Eric’s award-winning plays, including translations of The House of Bernarda Alba and Barrens by Federico García Lorca and his musical PLATH/HUGHES, have been produced in Chicago and New York.

Follow Eric at reshoemaker.com.

Scripts

The Awakening

Adapted by Robert Shoemaker

Synopsis

At the age of 28, after waking up to the emptiness of her marriage because of a passionate affair, Edna Pontellier finds herself. She realizes that she’s not meant to thrive or fully exist in the world of the 1890s—a world she navigates as best she can, clinging onto her art and her dreams for reality, but that attempts to push her down and mold her into a respectable and cowering creature at every turn: to make...

At the age of 28, after waking up to the emptiness of her marriage because of a passionate affair, Edna Pontellier finds herself. She realizes that she’s not meant to thrive or fully exist in the world of the 1890s—a world she navigates as best she can, clinging onto her art and her dreams for reality, but that attempts to push her down and mold her into a respectable and cowering creature at every turn: to make her a wife, a set piece, rather than a person.

In this adaptation, Chopin’s enthralling argument is brought to the stage as a vibrant, entertaining, and devastating portrait of what it means to be a woman trapped: in herself, in marriage, and in systems of both her own and others’ making. This adaptation, in the traditions of plays like "Miss Julie" and "A Doll's House," asks the questions audiences need and crave to engage in, and with the right amount of theatrical magic, a production of The Awakening will bring the novella itself a new reputation.

Lead Me Into Dark

Written by Robert Shoemaker

Synopsis

A young boy who exhibits behavior and interests “uncharacteristic” of the traditional idea of masculinity becomes a problem for his mother, a staunch Believer. Against the wills of her child and of her neighbor, a gay man with a daughter close in age to the boy, the boy’s mother goes to the Church for assistance in "curing” her son. As the boy and those around him unravel, every character confronts their biases...

A young boy who exhibits behavior and interests “uncharacteristic” of the traditional idea of masculinity becomes a problem for his mother, a staunch Believer. Against the wills of her child and of her neighbor, a gay man with a daughter close in age to the boy, the boy’s mother goes to the Church for assistance in "curing” her son. As the boy and those around him unravel, every character confronts their biases and chooses to buy further in or reconsider. This play confronts intolerance in many forms, and though the main themes circle homosexuality and conversion therapy or religious cure, “Lead Me Into Dark” is at its core about the lengths to which people go to prove their point, have their way, or disprove others as well as the harm done to those we love when we are blinded by opinion.

Tiresias

by Robert Shoemaker

Synopsis

My name. Male and female, my name, I, Tiresias, have walked the world end to end and seen all, and none. I will land at the edge of eternity, channeling to sibyls and saints alike. I, the inner eye, will for eternity spy on the habit of god and man, cursed to feed on truth and disaster and lotus, but not forgetting. I won’t be caught in any of hell’s circles, either. This I know. But don’t tell anyone. For right...

My name. Male and female, my name, I, Tiresias, have walked the world end to end and seen all, and none. I will land at the edge of eternity, channeling to sibyls and saints alike. I, the inner eye, will for eternity spy on the habit of god and man, cursed to feed on truth and disaster and lotus, but not forgetting. I won’t be caught in any of hell’s circles, either. This I know. But don’t tell anyone. For right now, I am with you. And a lovely crowd we are tonight, come to watch the prophet. Can I get a show of hands: anyone seen a prophecy before? Heard one?

"Tiresias" travels the solar system, the hells, and memory in search of their daughter, Manto, to reconnect and perhaps make some sense of life itself.