Rastus and Hattie by
Needra and Marlene enjoy a perfect post-racial friendship until two problematic Black robots (and a glitch in the time-space continuum) make them confront their ideas about race and the value of the past.
Lisa Langford
Lisa Langford
Lisa Langford earned a B.A. from Harvard University. She studied acting at The Juilliard School and completed her theatre training at The American Repertory Theater Institute for Advanced Theater Training at Harvard.
After working with Dr. Maya Angelou to develop Dr. Angelou’s line of social expressions, “Life Mosaics,” she received her M.F.A. in play-writing from Cleveland State University. Her play,...
After working with Dr. Maya Angelou to develop Dr. Angelou’s line of social expressions, “Life Mosaics,” she received her M.F.A. in play-writing from Cleveland State University. Her play,...
Lisa Langford earned a B.A. from Harvard University. She studied acting at The Juilliard School and completed her theatre training at The American Repertory Theater Institute for Advanced Theater Training at Harvard.
After working with Dr. Maya Angelou to develop Dr. Angelou’s line of social expressions, “Life Mosaics,” she received her M.F.A. in play-writing from Cleveland State University. Her play, Rastus and Hattie, received a Joyce Award (w/ Cleveland Public Theatre) and was a 2019 finalist for the Eugene O'Neill Theater Center National Playwrights Conference and the Bay Area Playwrights Festival. Her play, The Art of Longing, was a finalist for the Leslie Scalapino Award for Innovative Women Performance Writers. Her ten-minute play, The Bomb, about the Black Lives Matter movement, is published in the anthology, Black Lives, Black Words. She is an Artistic Associate of Black Lives Black Words and a member of Dobama Theatre’s Playwrights’ Gym in Cleveland Heights, Ohio.
After working with Dr. Maya Angelou to develop Dr. Angelou’s line of social expressions, “Life Mosaics,” she received her M.F.A. in play-writing from Cleveland State University. Her play, Rastus and Hattie, received a Joyce Award (w/ Cleveland Public Theatre) and was a 2019 finalist for the Eugene O'Neill Theater Center National Playwrights Conference and the Bay Area Playwrights Festival. Her play, The Art of Longing, was a finalist for the Leslie Scalapino Award for Innovative Women Performance Writers. Her ten-minute play, The Bomb, about the Black Lives Matter movement, is published in the anthology, Black Lives, Black Words. She is an Artistic Associate of Black Lives Black Words and a member of Dobama Theatre’s Playwrights’ Gym in Cleveland Heights, Ohio.