Immortality Crisis

by Alexander Pine

A suicide hotline is forced to have suiciders take calls in an alternate 2018 where people can't stay dead.
The dead disappear and return...
...in about 2 to 4 minutes. Those that keep killing themselves are called, Loopers.

A suicide hotline is forced to have suiciders take calls in an alternate 2018 where people can't stay dead.
The dead disappear and return...
...in about 2 to 4 minutes. Those that keep killing themselves are called, Loopers.

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Immortality Crisis

Recommended by

  • Nick Malakhow: Immortality Crisis

    Pine has created a deeply unsettling and infinitely fascinating theatrical world here! The well-rendered characters have distinct voices and unique and individual baggage. This piece works both as straightforward storytelling as well as a broader, figurative examination of trauma, widespread social and existential anxiety and despair, and the cyclical feeling of living alongside mental illness. The stage images in this piece are extremely evocative, and there's much here that directors, designers, and actors could do to really leave their imprint on this piece. Tough but really worthwhile...

    Pine has created a deeply unsettling and infinitely fascinating theatrical world here! The well-rendered characters have distinct voices and unique and individual baggage. This piece works both as straightforward storytelling as well as a broader, figurative examination of trauma, widespread social and existential anxiety and despair, and the cyclical feeling of living alongside mental illness. The stage images in this piece are extremely evocative, and there's much here that directors, designers, and actors could do to really leave their imprint on this piece. Tough but really worthwhile reading.

  • Ian August: Immortality Crisis

    Wow. Mr. Pine has written an intense, powerful examination of the damage of trauma. His characters are supremely flawed, but undeniably human. IMMORTALITY CRISIS is a compelling play--it will keep you on the edge of your seat--and it is enormously emotionally affecting. A difficult, challenging topic excellently rendered. WOW.

    Wow. Mr. Pine has written an intense, powerful examination of the damage of trauma. His characters are supremely flawed, but undeniably human. IMMORTALITY CRISIS is a compelling play--it will keep you on the edge of your seat--and it is enormously emotionally affecting. A difficult, challenging topic excellently rendered. WOW.

  • Playwrights Foundation: Immortality Crisis

    Playwrights Foundation enthusiastically recommends this play, IMMORTALITY CRISIS, as a Semi-Finalist for the Bay Area Playwrights Festival 2020. We were moved by the quality of the writing and the relevant and compelling themes that spoke to the mission of our festival. It excelled in a competitive process of 735 plays submitted this year and rose to the top after a six month long process discussing its merits with both national and local Bay Area readers, and we hope it moves swiftly towards production.

    Playwrights Foundation enthusiastically recommends this play, IMMORTALITY CRISIS, as a Semi-Finalist for the Bay Area Playwrights Festival 2020. We were moved by the quality of the writing and the relevant and compelling themes that spoke to the mission of our festival. It excelled in a competitive process of 735 plays submitted this year and rose to the top after a six month long process discussing its merits with both national and local Bay Area readers, and we hope it moves swiftly towards production.

View all 5 recommendations

Character Information

Doubling of cast members as multiple Hotline Callers can limit cast size.
  • Lauren
    Overworked, poised, confident.
    Character Age
    Mid 40's - Early 50's
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Eric
    Nervous, sweet-natured.
    Character Age
    18
    Character Race/Ethnic Identity
    African American or Latino American
    Character Gender Identity
    Male
  • Callers, 911 Operator, Automated Recording
    Additional actors are expected to take on multiple roles as different callers.

    RICHARD Angry, manic 40's/50's Male
    ELI Irate, sad 22 Male
    LIZ Traumatized 14 Female
    SELENA Hopeless, drunk 40's Female
    AUTO RECORDING Calm, robotic Adult M / F
    911 OPERATOR#2 Patronizing Adult M / F
    SAMUEL Manic 30's/40's Male
    DYLAN Fey, high, sweet, manic 20's Male
    TONI Faint 20's Male

    AUTHOR'S NOTE: It is highly preferable that the callers are not entirely seen, but creative measures can be taken to have the caller's presence on stage (behind a scrim, etc).
    Character Age
    14 - 60
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male and female
  • Jen
    Level-headed, a little edgy, sometimes regressive.
    Character Age
    Mid 20's
    Character Race/Ethnic Identity
    Asian American
    Character Gender Identity
    Female
  • Rajiv
    Cocky, obnoxious, never apologizes.
    Character Age
    Late 20's - Early 30's
    Character Race/Ethnic Identity
    Indian American
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization Playwrights Arena, Year 2021
  • Type Reading, Organization Benchmark Theatre, Year 2019
  • Type Reading, Organization Echo Theatre Company, Year 2018
  • Type Reading, Organization Scrap Metal Theatre, Year 2017

Awards

  • Fever Dream Festival
    Benchmark Theatre
    Finalist
    2019
  • Relentless Award
    American Playwriting Foundation
    Honorable Mention
    2018