An absolutely intriguing and gripping piece. There's so much to take in here, and the use of sex, music, booze, and everything else that might be considered vice is put to the examination of virtue. I love that the piece had me questioning reality from start to finish. Neo-noir and even Lynchian in approach. Incredibly affecting... this play will stay with you for a while whether you read it or, more hopefully, see it staged. Because it absolutely needs to be staged. Tremendous.

A big, chewy, old-school father-and-son drama that hearkens satisfyingly back to Arthur Miller or Eugene O'Neill, told in its own contemporary Black voice and laced with gothic horror. Sex, sax, and specters haunt this angry and anguished tragedy of toxic manhood, with epic clashes played out in dialogue that sings like opera. Ken Love has a big voice, and damn if he's not gonna use it.

An edge of your seat story from beginning to end. I love the similarities and differences between the father and the son, the staging, and the differences between everyone. This would be theatrical magic to see on a stage. Gripping from the moment the curtain goes up. Excellent work!