From the very beginning, I was invested. Circumstances, choices, decisions, consequences for the victims in so many forms but not the offenders. All are presented with a unique perspective that gives one pause. Thank you for tackling this subject and not letting it be forgotten.

A powerfully focused play. I'm still staggered that it only has three characters but successfully encompasses many more voices and experiences of trauma. Perpetrators are wisely not depicted so we are able to devote our full attention to the lives that were destroyed by the very real monsters that infected the film industry. All perspectives are balanced, there are no easy judgements of any of the characters. Everything is infused by a genuine love of the craft and medium of film. Urgent work.

Set during a time widely considered a golden year for Hollywood, 1999 is a fearless showcase for three female actors and a play that sparks immediate, ongoing conversation. Through cinematic time jumps and riveting reveals, Campbell skillfully explores how trauma can impact lives, friendships and futures. Is it possible to separate art from the people who make it? With great power and conviction, 1999 addresses how the legacy of films can be forever tarnished by the issues surrounding it while leaving you reevaluating many of the Oscar-adorned movies of the titular year.