←Eugene O'Neill Theater Center

It is the Eugene O'Neill Theater Center's pleasure to recommend Joshua Brand and their play The Real Me as a finalist for our 2012 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Terence Anthony and their play Tombolo as a finalist for our 2012 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Joyce Van Dyke and their play Daybreak as a finalist for our 2011 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Lisa Kenner and their play Chambers as a finalist for our 2011 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Laura Jacqmin and their play January Joiner as a finalist for our 2011 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Robert Fieldsteel and their play Asylum as a finalist for our 2011 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Tiffany Antone and their play CRICKET WOMAN MOTHER EARTH (or) A NASTY COMEUPPANCE as a finalist for our 2011 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Gabriel Neustadt and his play Tail of the Bell as a finalist for our 2017 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 55 finalists out of more than 1,300 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers were struck by how this two-hander builds tension as this pair of nuanced characters slowly reveal their inner motivations and desires.

It is the Eugene O'Neill Theater Center's pleasure to recommend Ashley Rose Wellman and their play You Are the Blood as a finalist for our 2017 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 55 finalists out of more than 1,300 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers responded to the complex tones of the piece as well as the deep psychological foray into family dynamics and generational divides.

It is the Eugene O'Neill Theater Center's pleasure to recommend Susan Soon He Stanton and their play we, the invisibles as a finalist for our 2017 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 55 finalists out of more than 1,300 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially responded to the many different perspectives offered and the questions asked about class, race, and our relationship with the media.