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Playwrights Foundation

Recommended by Playwrights Foundation

  • DREAM HOU$E by Eliana Pipes
    24 Apr. 2020
    “ Playwrights Foundation congratulates DREAM HOU$E as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • This is Not What I Expected When I Imagined a Republic by Daria Miyeko Marinelli
    24 Apr. 2020
    “ Playwrights Foundation congratulates THIS IS NOT WHAT I EXPECTED... as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • The Well-Tempered Clavier by Kaela Mei-Shing Garvin
    24 Apr. 2020
    “ Playwrights Foundation congratulates THE WELL-TEMPERED CLAVIER as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • MADRES DE LA REVOLUCIÓN by Leora Lihach
    24 Apr. 2020
    “ Playwrights Foundation congratulates MADRES DE LA REVOLUCION as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • MUD SEASON by Felice Locker
    24 Apr. 2020
    “ Playwrights Foundation congratulates MUD SEASON as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • Freedom Conference by Min Kahng
    24 Apr. 2020
    “ Playwrights Foundation congratulates FREEDOM CONFERENCE as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • FUKT by Emma Goldman-Sherman
    24 Apr. 2020
    “ Playwrights Foundation congratulates FUKT as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • Tocaya by Nancy García Loza
    24 Apr. 2020
    “ Playwrights Foundation congratulates TOCAYA as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • O, Possum! by Val Dunn
    24 Apr. 2020
    “ Playwrights Foundation congratulates O, POSSUM! as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”
  • The Place That Made You by Darcy Parker Bruce
    24 Apr. 2020
    “ Playwrights Foundation congratulates THE PLACE THAT MADE YOU as a Finalist for BAPF 2020. This play rose to the top 35 out of 735 plays submitted, and was discussed at length by our Bay Area Literary Council for consideration in our season. We loved how this play uses the language of theater to illuminate challenging perspectives and compelling intersectional questions. This play ultimately moved & inspired us and spoke to the core mission of PF. We hope that once we’re allowed to return to our theaters again, it will be considered for production to reach new audiences. ”

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