Recommended by Eugene O'Neill Theater Center

  • The Bitch of Balaclava
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Patricia Henritze and their play The Nightingale Rose or the Bitch of Balaclava as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the way the play balances history and science, humor and poetry.
  • good friday
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Kristiana Rae Colón and their play good friday as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers really responded to the community of women at the core of the play and the constantly shifting ground on which they stood.
  • Sanctuary, North
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Robert Schneider and their play Sanctuary, North as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially responded to the way tight craft allowed character and language to soar.
  • Frelmetsch the Maneater
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Matthew Capodicasa and their play Frelmetsch the Maneater as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers really responded to the unique humor that arose from the situation and its intimacy.
  • THE MADRES
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Stephanie Walker and their play THE MADRES as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers responded to the way women at the center of the play gave us a sharp and empathetic view into the larger political situation.
  • BlueShift
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend John King and their play BlueShift as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the palpable relationship between Damon and Martha and the mix of humor and mystery in this exploration of depression and alcoholism.
  • Ballast
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Georgette Kelly and their play Ballast as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the use of dreamscapes as innovative storytelling.
  • Eminent Domain (2016 O'Neill Conference Finalist)
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Laura Leininger-Campbell and their play Eminent Domain as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers really responded to the intricate and authentic family dynamics at play in this work.
  • ALL THE GOOD IN THE WORLD
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Cory Hinkle and their play ALL THE GOOD IN THE WORLD as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially responded to the intelligence and timeliness of this play's queries into contemporary morality.
  • Non-Player Character
    27 Apr. 2016
    It is the Eugene O'Neill Theater Center's pleasure to recommend Walt McGough and their play Non-Player Character as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated how the timeless story of two lonely people trying to cope shines through the specific, vivid, and theatrical setting within the world of video games.

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