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Recommendations

Recommendations

  • Emily Hageman:
    6 Jul. 2018
    What an absolute magnificent piece of art. Beautiful, gorgeous, funny, unique. I encourage you to stop whatever you're doing right now and take the time to read this show. It's powerful, it's moving, it's painfully honest. It's suspenseful and dramatic, but more than anything, it's incredibly real--so real that it hurts to read. Gonzalez has purposefully not named any of the characters. He has structured the show so the audience feels part of it--maybe even complicit. He has taken an issue that is HUGE and not talked about and pushed it towards us. You can't ignore this play. Highly recommended.
  • Christopher Bryant:
    29 Jun. 2018
    An important and intelligent work that treads the knife's-edge between comedy and tragedy and comments on society at large and the world of theatre. Gonzalez's writing is poetic and sophisticated: the dialogue is engaging, and the play's structure is oppressive as it closes in on the audience. A confronting but equally humorous story, and a play that needs to be seen!
  • Kat Ramsburg:
    4 Jun. 2018
    What a stunning play by a truly gifted playwright. Gonzalez looks at our failed prison system but doesn't pontificate. Instead he pulls us into the world of the prisoners, and those on the outside who are equally burdened by this unjust system. Clocking in at over two hours, particularly on such a dark and difficult subject, shouldn't deter any producing organization. Gonzales skillfully embeds purely comedic moments that make you laugh and fall in love with these characters. Any theatre willing to tackle this topic, would be lucky to have this play in their season.
  • Diana Burbano:
    25 May. 2018
    It takes a writer of great skill to make you understand and empathize with these people in the prison system. Gonzalez tackles the issues of systemic racism in the prison system while examining the souls and wants of the men inside. A huge play, something that could be produced by a company like Cornerstone to reach out to the families of the incarcerated to uplift them and to advocate for their loved ones. I feel like this play would make some people deeply uncomfortable, the way great theatre is meant to do.
  • Asher Wyndham:
    24 May. 2018
    This play exemplifies why theatre is necessary. It elicits empathy for Prisoner and other inmates while exploring them as minorities within a racist 'System' (Prison). They're locked-up, but their reflections on Life, Liberty, Happiness -- American Identity -- and Time, Death, Love -- their individual philosophies -- free them. And empower the audience outside the Prison to think about making the best use of Time and Life. A BIG play like the plays it references - Beckett's, Genet's, Baldwin's; it's stellar playwriting, the dialog between Prisoner, Sister and son some of the best I've read on NPX! PRODUCE THIS!!!!!!
  • Straton Rushing:
    12 Nov. 2017
    I had the pleasure of being a part of a staged reading for this show. Upon reading it preemptively, I fell in love with each character individually in a unique way. I assumed that the rose-colored glasses I had for this show would come off after hearing it out loud, but I was wrong. This show is packed full of fascinating content. Gonzalez gives a nuanced and thoughtful message about the state of the US and our penal system, but never compromises his enticing storyline to do so. I highly recommend this script for any reader.

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