“ It's wonderful writing when a conversation can take place without any spoken dialogue. Through only physical expression and movement, we are shown the start of a relationship even as the participants struggle to communicate. What I found most brilliant about this was the way the writer draws the audience in by the simple act of providing no spoken information. The audience is laser-focused on trying to pick up visual cues to provide story elements. I would imagine the audience is supplying countless motivations and reactions from their own minds to fill in the blanks. I loved this play. ”

“ We produced this as part of our festival in 2019, and it won third place. The piece manages to be bound by strong emotional moments but also free for actors, choreographers, and directors to put their own spin on it. It brings a lot to the table and is a great artistic opportunity for those involved! ”

“ A delightful short play not reliant on dialogue but with simple visual performances by two actors. A challenging yet satisfying piece for a director for sure. All with a beautiful narrative. ”

“ The amount of times I have witnessed encounters like this, or been a part of them showcases how realistic this play is, but Pynn takes that realism and adds a dash of dream, of movement and of hope and turns something that is often so cynical (such as our commutes) and into something truly beautiful. ”