“ This fantastically theatrical, unabashedly queer, and epic play is bold in every sense of the word. In this condemnation of gay conversion therapy, J. Julian Christopher takes elements from classical queer theatre such as Mart Crowley's "The Boys in the Band" and updates/subverts the types found in plays such as that to explore gender identity, masculinity, mythology, colonialism, and homophobia, among other themes. He executes this in a way that may be shocking, but is also thought-provoking and magical. This is a play that gives us hope for a better world, where self-love will rule all. Read this play! ”