JOHN DESERVES TO DIE

All is calm until theater department favorite Professor Daniel Holmes casts unassuming freshman Laura Vogel as Carol in his Spring production of David Mamet’s Oleanna. No one is less pleased than ambitious, fat sophomore Jen Barnett, who threatens to expose a secret that could turn lives and careers upside down. When student reporter Andy Stark starts to follow leads for an explosive exposé, it is only a matter...
All is calm until theater department favorite Professor Daniel Holmes casts unassuming freshman Laura Vogel as Carol in his Spring production of David Mamet’s Oleanna. No one is less pleased than ambitious, fat sophomore Jen Barnett, who threatens to expose a secret that could turn lives and careers upside down. When student reporter Andy Stark starts to follow leads for an explosive exposé, it is only a matter of time before dangerous truths come out. Art begins to imitate life as secrets unravel, masks come off, and classic texts are challenged. In this decidedly murderous exploration into the devilish intricacies of sex, power, consent, and gender politics in academia, three students take control in asking: If Carol was telling the story, wouldn’t John deserve to die?
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JOHN DESERVES TO DIE

Recommended by

  • Jolie Frazer-Madge:
    1 Aug. 2023
    An absolutely FANTASTIC play about female rage and empowerment. I was fortunate enough to get to see this play in performance and I was on the edge of my seat the entire time. Most importantly, this play has saved me from ever having to read a David Mamet play.
  • Shaun Leisher:
    7 May. 2023
    This play is so tense and thrilling. I was at the edge of my seat the entire time. Loved the moments where the fourth-wall was broken. PRODUCE THIS PLAY!!
  • Jillian Blevins:
    16 Apr. 2023
    This feminist indictment of Oleanna, David Mamet, academic theatre, and fatphobic culture at large crackles with electricity and rage. The world preys on the insecurities of young women; it minimizes them, and more insidiously, makes them desire smallness. Rachel Greene creates a hall of mirrors where Oleanna, John Deserves To Die, and the metatheatrical perspective of audience itself blend in mind bending and dynamic ways.

    The female characters of JDTD are people, not archetypes. They aren’t written through the perspective of a man, or a woman writing for the male gaze. And that itself is revolutionary.

Character Information

  • JEN BARNETT
    19,
    woman
    Fat. Anxious and accommodating, while clever and quietly ambitious. Has a fire stirring just below the surface.
  • ANDY STARK
    20,
    BIPOC; non-white
    ,
    woman
    Thin, midsized, or small fat. Bisexual. Brilliant, unapologetic, stubborn, and confident. Takes no shit.
  • LAURA VOGEL
    18,
    woman
    Thin. Queer but doesn’t know it yet. Obedient, innocent, and passionate.
  • PROFESSOR DANIEL HOLMES
    Mid 30's - Mid 50's,
    Cis Man
    Tenured college professor. Academic, disarming, and devilishly charming.
  • LEAH HARRIS
    23,
    woman
    Fat. A girl betrayed turned into woman scorned. Still has some fight left in her.
  • STEVEN SANDERS
    Late 20's - Early 30's,
    Man
    Graduate student and favorite of Professor Holmes. Eager to be taught. Chill and easygoing.

Development History

  • Reading
    ,
    Fresh Ink Theatre
    ,
    2022
  • Reading
    ,
    The Tank / First Kiss Theatre Company
    ,
    2022
  • Workshop
    ,
    Fresh Ink Theatre
    ,
    2022
  • Residency
    ,
    First Kiss Theatre Company
    ,
    2022

Production History

  • Professional
    ,
    Fresh Ink Theatre Company
    ,
    2023