Midnite

by Reina Hardy

FULL LENGTH CO-WRITTEN WITH RORY LEAHY (https://newplayexchange.org/users/16043/rory-leahy). When a group of college film majors venture into the woods to make an ill-advised horror movie, they encounter supernatural forces of love and madness. Based on Shakespeare’s “A Midsummer Night’s Dream.”

Interested in producing this play? Fill out the rights request form: http://gurmanagency.com/rights-request-forms...

FULL LENGTH CO-WRITTEN WITH RORY LEAHY (https://newplayexchange.org/users/16043/rory-leahy). When a group of college film majors venture into the woods to make an ill-advised horror movie, they encounter supernatural forces of love and madness. Based on Shakespeare’s “A Midsummer Night’s Dream.”

Interested in producing this play? Fill out the rights request form: http://gurmanagency.com/rights-request-forms/rights/

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Midnite

Recommended by

  • Niki Tulk: Midnite

    This play was a blast to direct, and it folded in so much depth inside the wackiness--our audience went crazy over it, we had sold-out performances and standing ovations because the whole thing grabbed people where they were at and took them on a wild ride that brought them back to see the play again. People laughed, gasped and were completely on board from the get-go. This is a smart, fast-paced, witty work with huge capacity for physical comedy, fight and slapstick if you want to take it up. Do this play, you will not regret it!!!

    This play was a blast to direct, and it folded in so much depth inside the wackiness--our audience went crazy over it, we had sold-out performances and standing ovations because the whole thing grabbed people where they were at and took them on a wild ride that brought them back to see the play again. People laughed, gasped and were completely on board from the get-go. This is a smart, fast-paced, witty work with huge capacity for physical comedy, fight and slapstick if you want to take it up. Do this play, you will not regret it!!!

  • Lainie Vansant: Midnite

    The wacky plot and delightful language of this play are a ton of fun, and the way that Hardy and Leahy have subverted and played on both Shakespeare's work and the horror genre is fascinating. It's light and quick - give it a read!

    The wacky plot and delightful language of this play are a ton of fun, and the way that Hardy and Leahy have subverted and played on both Shakespeare's work and the horror genre is fascinating. It's light and quick - give it a read!

Character Information

We want this play to be accessible and useful to as many groups as possible, so we have built some flexibility into the casting. Here are some possible casting adjustments.
● If more roles are needed, the suggested doubling can be reduced or skipped entirely, meaning that James, Tom, Bone, Tiara, Sam, Alex, Cob and Pea can be played by separate actors. This will not require script changes. It is also ok to adjust the doubling- i.e. , switch which professor plays which fairy monarch
● You can also split the Whisper up among multiple actors while still giving each of them something juicy.
● James and Tom can become Janine and Tina. (Note, they must remain a gay couple.) Just use the "Janine and Tina" version of the script, available under the "script sample" slot in "supporting materials." It's not hugely different from the "James and Tom" version, there are just some altered lines in the first scene.
● If Tom/Tina is not cast as white, the reference to his/her race in scene one can be cut.
● Quillian is femme non-binary in this version of the script. If you do not have an actor who can represent that identity, the character may be played as a cisgender lesbian by changing pronouns from “they” to “she,” and cutting the line “It’s “they,” professor!” and the subsequent two lines from scene one.
  • James/Janine Dalton
    Head of the film department at College of Athens. Can be doubled with Tiara or Bone.
    Character Age
    50s
    Character Gender Identity
    Male or Female
  • Tom/Tina Drake
    A film professor. Jame's life partner. Can be doubled with Tiara or Bone.
    Character Age
    50s
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Male or Female
  • Quillian Spenser
    A fourth year film student enthusiastically directing a terrible horror movie.
    Character Age
    around 21
    Character Gender Identity
    Female or Non-binary
  • Helen
    Fourth year film student and screenwriter. Unsure of herself.
    Character Age
    Around 21
    Character Gender Identity
    Female
  • Hermione
    Fourth year theater student and the female lead in the film. Hard-driving and confident.
    Character Age
    Around 21
    Character Gender Identity
    Female
  • Damian
    Fourth year film student and the DP. Broody.
    Character Age
    Around 21
    Character Gender Identity
    Male
  • Andy
    Fourth year theater student and the male lead. CUTE.
    Character Age
    Around 21
    Character Gender Identity
    Male
  • Nicole
    Second year theater student. Plays the monster. Trying hard.
    Character Age
    Around 19
    Character Gender Identity
    Female
  • Sam
    Film student, stoner type, the “sound human.” Can be doubled with Cob or Pea.
    Character Age
    College age
    Character Gender Identity
    Any
  • Alex
    Film student, geeky about film, the gaffer. Can be doubled with Cob or Pea.
    Character Age
    College-age
    Character Gender Identity
    Any
  • Bone
    Sort of a horned, wood-god thing. Can be doubled with James or Tom.
  • Tiara
    Feminine Goddess Principal. Can be doubled with James or Tom.
  • The Whisper
    A shapeshifter. Takes the form of numerous stereotypical movie monsters. Played by at least one dedicated actor with some support from the SAM/ALEX actors, but can be expanded into a multi-person role.
  • Cob
    A fairy in Tiara's retinue. Can be doubled with Sam or Alex.
  • Pea
    A fairy in Tiara's retinue. Can be doubled with Sam or Alex.
  • Faye
    A drifter with a broken-down car.
    Character Age
    20s

Development History

  • Type Reading, Organization The Boxcar, Year 2019
  • Type Reading, Organization SIU-Carbondale, Year 2018

Production History

  • Type University, Organization Plymouth State University Theatre, Year 2022
  • Type University, Organization Notre Dame College, Year 2020