“ Fantastic! Christopher crafts a poetic and profane theatrical world full of spectacle and nodding to all kinds of theater and performance forms. All of the characters, but especially Lost, read as both credible and nuanced human beings while also representing large and significant themes and issues in queer male culture. Christopher offers a unique interrogation of desire, mentorship, connection, and a longing for peace and place among queer men. There is some outrageous and bold humor, but the overall feeling I left the play with was an empathy for and a great tenderness towards its complex central characters. ”