“ This play was taught in my college dramatic literature class, and HO-LY SHIT. I am astounded to see that it only has three reviews, because from the way it was presented to us, I had every reason to believe it was a part of the contemporary theatrical canon (which it should be!). Keyes creates a theatrical hellscape far away enough to be dystopian, but close enough to be fathomable. Not to mention the existence of queer and trans women in a way that does not turn us into spectacles, but instead, shows us as the resilient human beings we are. ”