“ Residing at the intersection of gay and godly, this four-person, post-death exploration takes us on the edifying journey of what we might learn about ourselves in the afterlife. Let’s just say - there’s hope in spite of the title! With a wink to Sarte’s “No Exit” and even a pinch of “The Wizard of Oz” self-discovery, these well-drawn characters rise to the occasion even with - or perhaps because of - their human flaws. I particularly appreciated the balanced structure of the play and the ample opportunities to incorporate multi-media. A solid choice for college-aged actors. ”

“ There is so much richness to be explored within ABANDON ALL HOPE by Peter Fenton, especially his parallels between life and death as we form relationships. The structure is both innovative and exciting as the afterlife is envisioned as an escape room, complete with a brilliantly devised character in the form of a trickster demon. There are also so many thrilling ways to stage this piece, complete with 'memory sequences' that expand the world of the story even further. ”

“ Fenton expertly maintains a sense of high stakes, keeping the suspense alive from beginning to end. A homage to Sartre, in the skillfully intertwining of external conflicts with deep internal struggles. "Prisons of our own making." Flashbacks and games add depth and layers to understanding the characters. Deeply impressed by Fenton's ability to deftly balance the darkness of the themes with clever and sardonic humor. There were a few one-liners that made me spit out my coffee. The play is undeniably smart and thought-provoking, leaving a lasting impression on the audience and even a little hope... ”

“ With dark and playful humor, Peter Fenton channels Sartre to examine the things we do - not only to each other, but to ourselves - that create a living hell on earth. It is a thoughtful, heartfelt, and funny exploration of the human heart, offering both honesty and grace as its characters look at themselves fully for the first time. ”