History often goes unappreciated, no more than in the LGBTQ subculture. It often seems queer people under a certain age have no understanding or appreciation of what it took to get here. That’s why plays like TORCH SONG, BOYS IN THE BAND, and ON THE ROOF are so damn important right now. Hoke creates a vivid portrayal of what gay men in particular (but not exclusively) went through not too long ago. Deeply personal, beautifully individuated, and astonishingly atmospheric, it’s a portal to an oppressive past by which we can evaluate the present and prepare the future.
History often goes unappreciated, no more than in the LGBTQ subculture. It often seems queer people under a certain age have no understanding or appreciation of what it took to get here. That’s why plays like TORCH SONG, BOYS IN THE BAND, and ON THE ROOF are so damn important right now. Hoke creates a vivid portrayal of what gay men in particular (but not exclusively) went through not too long ago. Deeply personal, beautifully individuated, and astonishingly atmospheric, it’s a portal to an oppressive past by which we can evaluate the present and prepare the future.