The Insidious Impact of Anton

by David Hilder

Francesca is a 30-something urbandweller who knows who's who and what's what, and will be more than happy to tell you exactly where who should put what. She has it all, from the job that's not too demanding, to the superintendent ex-boyfriend who still fixes her plumbing (to speak in euphemism), to the gay friend next door. Who needs ups and downs, she figures, when you can have contentment? Then she meets...

Francesca is a 30-something urbandweller who knows who's who and what's what, and will be more than happy to tell you exactly where who should put what. She has it all, from the job that's not too demanding, to the superintendent ex-boyfriend who still fixes her plumbing (to speak in euphemism), to the gay friend next door. Who needs ups and downs, she figures, when you can have contentment? Then she meets Anton, a mysterious stranger who keeps turning up, and the oddest things start happening. She gets fired from the cushy job. Her friendships actually start to deepen. And worst of all, she ends up dating Anton – a peculiar little man with an Eastern European accent. Ultimately, Francesca has to face what it means to be alive, and what it means to be human.

7 characters (3W, 4M). Two acts, one intermission.

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The Insidious Impact of Anton

Recommended by

  • Aly Kantor: The Insidious Impact of Anton

    You've heard of the Manic Pixie Dream Girl, but have you heard of the Manic Pixie Small Eastern European Man? Not only does this charming, funny play turn a tired trope on its head, but it makes a case for choosing the challenging, inconvenient, far more scenic route to happiness - because, as this play so perceptively asks, what is the difference between living and waiting to die? It's fascinating to watch the protagonist self-actualize over the course of the play, and the depth of the message really sneaks up on you. What an easy, breezy, brilliant, heart-filled comedy!

    You've heard of the Manic Pixie Dream Girl, but have you heard of the Manic Pixie Small Eastern European Man? Not only does this charming, funny play turn a tired trope on its head, but it makes a case for choosing the challenging, inconvenient, far more scenic route to happiness - because, as this play so perceptively asks, what is the difference between living and waiting to die? It's fascinating to watch the protagonist self-actualize over the course of the play, and the depth of the message really sneaks up on you. What an easy, breezy, brilliant, heart-filled comedy!

  • Lisa Dellagiarino Feriend: The Insidious Impact of Anton

    Oh my gosh, what a fabulous play! Francesca's life is in a rut, and then Anton shows up and everything changes. And then we find out why. What a funny play full of such rich characters. I love the banter, how quickly we slide from one scene to the next, and the way the audience is almost a character as well, as Francesca narrates the crazy ride she went on since Anton arrived. Plus the last line is perfect. What a great piece!

    Oh my gosh, what a fabulous play! Francesca's life is in a rut, and then Anton shows up and everything changes. And then we find out why. What a funny play full of such rich characters. I love the banter, how quickly we slide from one scene to the next, and the way the audience is almost a character as well, as Francesca narrates the crazy ride she went on since Anton arrived. Plus the last line is perfect. What a great piece!

  • Cheryl Bear: The Insidious Impact of Anton

    When your perfect world gets turned on it's head, it can feel like you're losing everything. But perhaps you've just started living!

    When your perfect world gets turned on it's head, it can feel like you're losing everything. But perhaps you've just started living!

View all 10 recommendations

Production History

  • Type University, Organization Stella Adler Conservatory, Year 2023
  • Type Community Theater, Organization Acadiana Repertory Theatre, Year 2018
  • Type Professional, Organization Absolute Theatre (Los Angeles), Year 2011

Awards

  • ANPF 2010
    Ashland New Plays Festival
    Winner
    2010