When We Get Good Again (formerly, Good)

by James McLindon

Poor but brilliant college student Tracy needs straight A’s to get into a top law school that will forgive her mountain of debt so she can be a lawyer for the poor. With the economic odds stacked against her, she manages to rationalize her job writing terms papers for other wealthy students, including Roy, a lazy hockey player and Nadiya, an equally brilliant Ukrainian student who has not yet mastered English...

Poor but brilliant college student Tracy needs straight A’s to get into a top law school that will forgive her mountain of debt so she can be a lawyer for the poor. With the economic odds stacked against her, she manages to rationalize her job writing terms papers for other wealthy students, including Roy, a lazy hockey player and Nadiya, an equally brilliant Ukrainian student who has not yet mastered English. So why is she having so much trouble sticking to the program? GOOD explores the current age in which personal integrity seems to be eroding before our eyes, and each day seems to bring new headlines about politicians caught padding their resumes, footballs stars claiming to have fictitious girlfriends, or journalists discovered making up the people they’ve been writing and winning awards about. But GOOD also asks the question whether, in a world of privilege and deprivation, is cheating all that bad when done to level a playing field that is supposed to be flat in the first place?

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When We Get Good Again (formerly, Good)

Recommended by

  • Cheryl Bear: When We Get Good Again (formerly, Good)

    How do you make it through a system with so many barriers affecting our integrity as we strive to get the right education, the right jobs and opportunities. Is cheating an alright means to try to level the playing field? Well done.

    How do you make it through a system with so many barriers affecting our integrity as we strive to get the right education, the right jobs and opportunities. Is cheating an alright means to try to level the playing field? Well done.

  • Nick Malakhow: When We Get Good Again (formerly, Good)

    This is a well-crafted, funny piece that successfully explores some excellent moral questions about getting ahead vs. equalizing the playing field in the world of academia. All four characters are credible and sympathetic, and it is fun to see them get to know each other and complicate one another's worldviews over the course of the play. It's a huge credit to McLindon's writing (and, indeed, one of the points of the play, it seems) that I found myself rooting for each character--even the ones I had judged more harshly at the outset. I'd love to see a production.

    This is a well-crafted, funny piece that successfully explores some excellent moral questions about getting ahead vs. equalizing the playing field in the world of academia. All four characters are credible and sympathetic, and it is fun to see them get to know each other and complicate one another's worldviews over the course of the play. It's a huge credit to McLindon's writing (and, indeed, one of the points of the play, it seems) that I found myself rooting for each character--even the ones I had judged more harshly at the outset. I'd love to see a production.

  • John Minigan: When We Get Good Again (formerly, Good)

    McLindon's brilliant craft in When We Get Good Again pulls you in with wit and sharp characterizations and, before you've quite realized it, you're in a complex and compelling world of moral questions. Are we what we do or who we say we are (or will be)? What is the nature of loyalty? Is gaming a system (in hockey or academics) justified when the system itself plays games? Thoroughly engaging, clear, and thoroughly entertaining.

    McLindon's brilliant craft in When We Get Good Again pulls you in with wit and sharp characterizations and, before you've quite realized it, you're in a complex and compelling world of moral questions. Are we what we do or who we say we are (or will be)? What is the nature of loyalty? Is gaming a system (in hockey or academics) justified when the system itself plays games? Thoroughly engaging, clear, and thoroughly entertaining.

View all 6 recommendations

Character Information

TRACY . . . . . . . . . . . . . . . . FEMALE COLLEGE STUDENT, 21

PERRY . . . . . . . . . . . . . . . . . . . . . MALE, AROUND 30

ROY . . . . . . . . . . . . . . . MALE COLLEGE HOCKEY PLAYER, 21

NADIYA . . . . . . . . . . . . . . FEMALE UKRAINIAN STUDENT, 18

Race-blind casting is encouraged.
  • Roy
    A hockey-playing college student, smarter than he thinks, a pretty good guy.
    Character Age
    Early 20s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Nadiya
    A very bright college student from Ukraine with some English, she has a commanding personality, but can be abrupt and abrasive.
    Character Age
    around 20
    Character Gender Identity
    Female
  • Tracy
    A college student, very bright, very guarded and not very affluent
    Character Age
    early 20s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Perry
    Perry non-athletic, smart, full of nervous energy and driven by a core insecurity that he tries to cover with bravado. Unable to make it as an academic, he carries a pretty big chip on his shoulder. His attempts to exude command and power meet with varying degrees of success.
    Character Age
    late 20s-early 30s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization Silverthorne Theater Company, Year 2021
  • Type Workshop, Organization Athena Theatre, New York, Year 2014
  • Type Workshop, Organization HRC Showcase Theatre, Hudson, NY, Year 2013
  • Type Workshop, Organization New American Voices Festival, Houston, TX, Year 2012
  • Type Workshop, Organization New Repertory Theatre, New Voices Festival, Boston, Year 2012
  • Type Reading, Organization Lark Play Development Center, New York, Year 2012
  • Type Reading, Organization John Gassner Memorial Playwriting Award winner reading, Year 2012

Production History

  • Type Professional, Organization Flashback Theater, Year 2024
  • Type Professional, Organization Nobis Playhouse, Year 2021
  • Type University, Organization University of Miami (Ohio) (workshop), Year 2020

Awards

  • Smith & Kraus Best Men’s Monologues 2021
    Smith & Kraus
    2021
  • Southwest Theatre Productions new play festival
    Southwest Theatre Productions
    Semi-Finalist
    2020
  • Best Original Script
    Ostrander Theatre Awards, Memphis, TN
    Winner
    2020
  • Ohio State University-Newark New Play Contest
    Ohio State University-Newark
    Honorable Mention
  • Next Act! New Play Summit
    Capital Repertory Theatre
    Semi-Finalist
  • Ashland New Play Festival
    Semi-Finalist
  • Seven Devils Playwrights Conference
    id Theatre
    Semi-Finalist
  • Stage Left Fall Residency
    Stage Left Theater
    Finalist
  • Southern Appalachian Repertory Theatre New Play Festival
    Southern Appalachian Repertory Theatre
    Finalist
  • Telluride Playwrights Festival
    Sparky Productions
    Finalist
  • Local Lab Festival
    Local Theatre
    Finalist
  • Icicle Creek Theatre Festival
    Icicle Creek Theatre
    Finalist
  • Kitchen Dog Theatre New Work Festival
    Kitchen Dog Theatre
    Finalist
  • Julie Harris Playwrights Awards
    Beverly Hills Theater Guild
    Finalist
  • John Gassner Memorial Playwriting Award
    New England Theatre Conference
    Winner