Recommendations of A HUMBLE PATH [A MONOLOGUE]

  • Asher Wyndham: A HUMBLE PATH [A MONOLOGUE]

    One of the most unsettling, creepiest monologues I've ever read. At first I was totally disgusted by this man threatening the life of another, and then surprisingly intrigued by this man's predicament, his decision whether or not to commit an act of violence. With a monstrous character, Martin makes us think about ourselves and our desire for destruction, our limits to empathy, the monster within us, the anger deep down. This would make a great selection for a Halloween showcase.

    One of the most unsettling, creepiest monologues I've ever read. At first I was totally disgusted by this man threatening the life of another, and then surprisingly intrigued by this man's predicament, his decision whether or not to commit an act of violence. With a monstrous character, Martin makes us think about ourselves and our desire for destruction, our limits to empathy, the monster within us, the anger deep down. This would make a great selection for a Halloween showcase.

  • Kel Vance: A HUMBLE PATH [A MONOLOGUE]

    I found 'A Humble Path' truly mesmerising. A suspenseful dark tale with a character that we unwillingly see the harsh truth of ourselves reflected in. Steve Martin has crafted a masterful ten minute monologue that is captivating and compelling - a must for any play festival.

    I found 'A Humble Path' truly mesmerising. A suspenseful dark tale with a character that we unwillingly see the harsh truth of ourselves reflected in. Steve Martin has crafted a masterful ten minute monologue that is captivating and compelling - a must for any play festival.

  • Jennifer O'Grady: A HUMBLE PATH [A MONOLOGUE]

    Harrowing yet full of truth, and with a surprise ending, this powerful ten-minute play is utterly engrossing as its only character, a seemingly mild-mannered man, unspools the story of his life for an unseen person who, we learn, isn't there by choice. It's hard to stop thinking about this play. I'd love to see it performed.

    Harrowing yet full of truth, and with a surprise ending, this powerful ten-minute play is utterly engrossing as its only character, a seemingly mild-mannered man, unspools the story of his life for an unseen person who, we learn, isn't there by choice. It's hard to stop thinking about this play. I'd love to see it performed.

  • Matthew Weaver: A HUMBLE PATH [A MONOLOGUE]

    A darker offering from Martin, and the results are uncomfortable and riveting. Abe addresses an unseen hostage and he confesses his - and our- shameful truths. Who among us hasn't had a moment where we seek to lash out, really lash out, at someone who has wronged or disappointed us - the competitor who bested us, the jerk who cuts us off in traffic. Abe seeks help from his audience, a witness, but not the sort we want to give him. A good showcase for a strong actor in your ensemble, who isn't afraid to lay bare the ugliest honesty.

    A darker offering from Martin, and the results are uncomfortable and riveting. Abe addresses an unseen hostage and he confesses his - and our- shameful truths. Who among us hasn't had a moment where we seek to lash out, really lash out, at someone who has wronged or disappointed us - the competitor who bested us, the jerk who cuts us off in traffic. Abe seeks help from his audience, a witness, but not the sort we want to give him. A good showcase for a strong actor in your ensemble, who isn't afraid to lay bare the ugliest honesty.