←Recommendations of We Will Not Describe the Conversation

  • Dan Giles: We Will Not Describe the Conversation by Eugenie Carabatsos
    “

    If Arthur Miller were reincarnated today as a powerhouse lady, he might have written this graceful, urgent play. WWNDTC is a powerful moral drama that unfolds with rare elegance, clarity, and assurance. It tells a profoundly resonant untold story, and it raises essential questions about how we live with ourselves and each other. The folks at KCACTF thought it was the best play they read all year. You might, too.

    If Arthur Miller were reincarnated today as a powerhouse lady, he might have written this graceful, urgent play. WWNDTC is a powerful moral drama that unfolds with rare elegance, clarity, and assurance. It tells a profoundly resonant untold story, and it raises essential questions about how we live with ourselves and each other. The folks at KCACTF thought it was the best play they read all year. You might, too.

    ”
  • Gina Femia: We Will Not Describe the Conversation by Eugenie Carabatsos
    “

    Was completely inspired after seeing a reading of this play at the Great Plains Theatre Conference - strong, nuanced female characters grappling with a complex relationship, funny, witty, moving, Eugenie writes with precision and heart.

    Was completely inspired after seeing a reading of this play at the Great Plains Theatre Conference - strong, nuanced female characters grappling with a complex relationship, funny, witty, moving, Eugenie writes with precision and heart.

    ”
  • Mora V. Harris: We Will Not Describe the Conversation by Eugenie Carabatsos
    “

    This is a beautiful and heartbreaking script with rich and complicated characters, which is unexpected in a play dealing with such grizzly subject matter. Don't get me wrong, it's definitely dark and deals with human propensity for violence in a bold and exciting way, but it's also a very nuanced look at friendship and loneliness that I find to be very moving. It has two unusual and fascinating roles for women, Dani and Sonya, that will pose a thrilling challenge to actors.

    This is a beautiful and heartbreaking script with rich and complicated characters, which is unexpected in a play dealing with such grizzly subject matter. Don't get me wrong, it's definitely dark and deals with human propensity for violence in a bold and exciting way, but it's also a very nuanced look at friendship and loneliness that I find to be very moving. It has two unusual and fascinating roles for women, Dani and Sonya, that will pose a thrilling challenge to actors.

    ”