←Recommendations of Status Update

Hits this GenX heart perfectly. So many themes covered in such a short piece with humor and tenderness— glad to have stumbled upon it.

So much to think about in this short piece. Mother and son, obviously at odds with each other, bond over the moms sadness at losing a friend. Great relationship work went into creating these characters. Highly recommend.

Vince Gatton is such a treasure. This short is about a mom trying to get her son to turn his music off and focus on writing his college essay- but it’s a Vince Gatton play, so of course it’s about so much more than that and you’re going to go on an entire emotional journey of love and loss and change and growth all in ten minutes, but it all fits together seamlessly and never feels like it’s doing too much. It’s so good, and it seems so effortless. Amazing.

It is an open secret that Vince Gatton is a timeless being bearings witness to the passing of the ever-moving epochs of civilization.

Here, he's not even trying to hide it.

Past, present, and future all converge and diverge in the wake of a single indelible tragedy. Yet this is no time-travel tale: it's a simple domestic scene between mother and son, replete with cruelty-as-amusement, intergenerational music/fashion/tech/ideology, the parallels of rebellious youth in different eras, and rare affection.

The sociopolitical commentary is intimate as the wounds it recalls, but despite anguish there is beauty and somehow hope.

No one does poignant everyday dialogue like Gatton. What starts out as a typical day with typical bickering becomes a dawning as mother and son, through walking through mom's youth and the awareness of mortality, discover and see one another as human beings, moving beyond their assigned roles. In Gatton's two-handers, there is usually a mover, and there is a port in the storm (Protocols, Cassie Strickland) and the navigation to peace, or at least a mooring, is always a joy to experience. An in-your-bones piece, this.

Lee: vulnerable and painfully honest. Gabe: cocky and insightful beyond his years. The bonding between mother and son is so natural and touching. In ten minutes, Gatton reveals past, present, and perhaps portends the future. Wonderful.

A beautiful, heartrending two-hander, and one of the best pieces I know about middle age - about being old enough to have experienced gut-wrenching loss but still young enough to rock out to Violet Femmes, about trying to impart some sort of knowledge to your children when you're still a confused, scared kid yourself.

A mom and son’s relationship itself undergoes a ‘status update’ threading together a mother’s own punk youth, current stresses and boyish insouciance, then hopes for the future. Gatton expertly marshalls identification and sympathies within a deceptively simple framework where an untimely death turns a seeming generation gap into a life affirming bond.

Gatton shows so much in such a short amount of stage time with "Status Update."

This mother/son drama understands no one truly knows what they'll become later in life, that the term "old" is entirely subjective, and that living in the past isn't good but short, intermittent visits can raise one's spirits.

"Status Update" is one of Gatton's anthology plays with ties to a tragic central event, whose effects ripple for years. Wonderful breadth of writing.

A fantastic drama that rings so true, how we cope with our fears and the world we live in. Well done!