In one of the best stream-of-consciousness inner monologues I've ever read, followed by a swift, breezy exchange between two former lovers, Speckman gives us a perfect ode to change, capped in just one, almost throwaway stage direction and line of dialogue. Wonderful.
In one of the best stream-of-consciousness inner monologues I've ever read, followed by a swift, breezy exchange between two former lovers, Speckman gives us a perfect ode to change, capped in just one, almost throwaway stage direction and line of dialogue. Wonderful.