This scary, smart play hooked me from the start, with its foreboding setting, hilariously drawn characters that aren't what they seem, and, well, I can't ruin what follows, but nothing GOOD ever happens in a run-down motel on Halloween. Yet in the second act, it shifts to an intellectual discussion about gay representation in horror cinema in Hollywood and how some minds just won't shift, unless perhaps they are forced to. Great play!
This scary, smart play hooked me from the start, with its foreboding setting, hilariously drawn characters that aren't what they seem, and, well, I can't ruin what follows, but nothing GOOD ever happens in a run-down motel on Halloween. Yet in the second act, it shifts to an intellectual discussion about gay representation in horror cinema in Hollywood and how some minds just won't shift, unless perhaps they are forced to. Great play!