Up the Ladder, Down the Slide

by David Valdes

Old friends Laurel, Karen, and Oscar meet for cocktails each week as a safe harbor when they find themselves all at once in the crux of the "sandwich generation," parenting their own declining parents. Laurel's live-in dad has had Alzheimer's for years, while Karen's mom is newly diagnosed with dementia, and Oscar's mom is in hospice. Their bonds are tested by the unpredictable roller coaster of grief, hope...

Old friends Laurel, Karen, and Oscar meet for cocktails each week as a safe harbor when they find themselves all at once in the crux of the "sandwich generation," parenting their own declining parents. Laurel's live-in dad has had Alzheimer's for years, while Karen's mom is newly diagnosed with dementia, and Oscar's mom is in hospice. Their bonds are tested by the unpredictable roller coaster of grief, hope, anger, humor, shame, and an endless quest for "one last good day." The play mixes raw portraits of their lives with magical elements and features a POC and LGBT cast. 2019 National Showcase of New Plays.

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Up the Ladder, Down the Slide

Recommended by

  • Cheryl Bear: Up the Ladder, Down the Slide

    A powerful look at family, care taking and loss. Moving and well done.

    A powerful look at family, care taking and loss. Moving and well done.

  • National New Play Network: Up the Ladder, Down the Slide

    Up The Ladder, Down The Slide by David Valdes was featured in NNPN's 2019 National Showcase of New Plays.

    Up The Ladder, Down The Slide by David Valdes was featured in NNPN's 2019 National Showcase of New Plays.

  • Sammy Pontello: Up the Ladder, Down the Slide

    I was lucky enough to see the reading at the Orlando Shakes and was absolutely floored by this play. Grateful to have the opportunity to read it here now, and there isn't a person alive I don't think wouldn't find at least one moment of grace, of worth, in this. A very real look at families and all of the kinds of grief - and love, and life - contained within them.

    I was lucky enough to see the reading at the Orlando Shakes and was absolutely floored by this play. Grateful to have the opportunity to read it here now, and there isn't a person alive I don't think wouldn't find at least one moment of grace, of worth, in this. A very real look at families and all of the kinds of grief - and love, and life - contained within them.

View all 4 recommendations

Character Information

The play is written for 8 with one actor playing Lonnie/Mike/Barback. Those roles could be split into three or two (one actor playing Lonnie, one playing Mike/Barback).
  • Laurel
    Character Age
    40's-50's
    Character Race/Ethnic Identity
    African American
    Character Gender Identity
    Female-identifying
  • Karen
    Character Age
    40s-50s
    Character Race/Ethnic Identity
    Asian American
    Character Gender Identity
    Female-identifying
  • Oscar
    Oscar is Latinx, born and raised in the US, no (or very little) accent.
    Character Age
    40s-50s
    Character Race/Ethnic Identity
    Latinx
    Character Gender Identity
    Male Identifying
  • The Commodore
    Character Age
    80s
    Character Race/Ethnic Identity
    African American
    Character Gender Identity
    Cisgender Male
  • JoAnn
    JoAnn has lived in the US her whole life, daughter of immigrants, with perfect English
    Character Age
    Late 60s-70s
    Character Race/Ethnic Identity
    Asian American
    Character Gender Identity
    Cisgender Female
  • Mamita
    Mamita speaks fluent English and Spanish alike; a daughter of immigrants, she was raised here
    Character Age
    69
    Character Race/Ethnic Identity
    Latina
    Character Gender Identity
    Female
  • Vee
    Vee may be the same ethnicity as Karen, mixed, or any race if played as adopted.
    Character Age
    20s or early 30s
    Character Race/Ethnic Identity
    Asian American (or,
    Any
    Character Gender Identity
    Female-identifying
  • Lonnie
    Lonnie also plays Mike and Barback, all genderqueer or gender nonconfirming but using male or neutral pronouns. Pronouns may be he or they depending on the performer cast.
    Character Age
    20s-30s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    gender non-conforming

Development History

  • Type Workshop, Organization Orlando Shakes, Year 2019
  • Type Reading, Organization Keegan Theatre, Boiler Room Series, Year 2018

Awards

  • Ashland New Plays Festival
    Finalist
    2019
  • Eugene O’Neill Center National Playwrights Conference
    O’Neill Center
    Finalist
    2019
  • Artist Fellowship
    Massachusetts Cultural Council
    Finalist
    2019