Recommendations of IN TRAINING

  • Lee R. Lawing: IN TRAINING

    A funny and so telling play about a manager's and new hire's path to blind trust set in the dark--brilliant. The humor is spot on and the two characters' journey so relatable. I highly recommend this play!

    A funny and so telling play about a manager's and new hire's path to blind trust set in the dark--brilliant. The humor is spot on and the two characters' journey so relatable. I highly recommend this play!

  • Asher Wyndham: IN TRAINING

    A comedy in darkness - about workplace dynamics - about communication, collaboration, trust (or blind trust), ridiculous standard work practices. Everyone who's had a sucky job can relate. Another stellar addition to a growing body of work that demands attention by theatremakers nationwide.

    A comedy in darkness - about workplace dynamics - about communication, collaboration, trust (or blind trust), ridiculous standard work practices. Everyone who's had a sucky job can relate. Another stellar addition to a growing body of work that demands attention by theatremakers nationwide.

  • Matthew Weaver: IN TRAINING

    Carnes offers an off-kilter, odd, quirky tale between two unseen individuals that will have an audience leaning forward in anticipation, although the results will never be something they can predict or expect. This is great metaphor for what's expected in a given work environment - one has to learn to say "Meow" exactly right, and learn how to reach into a bag of snakes just so. And I love the concept of this being done entirely in the dark, allowing the audience to fill in the details with their own imaginations. Just be careful with the photocopy machine; it's finicky.

    Carnes offers an off-kilter, odd, quirky tale between two unseen individuals that will have an audience leaning forward in anticipation, although the results will never be something they can predict or expect. This is great metaphor for what's expected in a given work environment - one has to learn to say "Meow" exactly right, and learn how to reach into a bag of snakes just so. And I love the concept of this being done entirely in the dark, allowing the audience to fill in the details with their own imaginations. Just be careful with the photocopy machine; it's finicky.

  • Sharai Bohannon: IN TRAINING

    Carnes does it again! Unique staging, metaphors and imagery that sparks the imagination, and fun characters in a weird situation. I think this would be almost as much fun to direct as it would be to see it. I also hope this piece inspires more of us to play in the dark on stage.

    Carnes does it again! Unique staging, metaphors and imagery that sparks the imagination, and fun characters in a weird situation. I think this would be almost as much fun to direct as it would be to see it. I also hope this piece inspires more of us to play in the dark on stage.

  • Emma Goldman-Sherman: IN TRAINING

    Very funny piece of theater! With well-written dialogue, and clear characters. And the whole thing happens in the dark! The metaphor works wonderfully and sets up a host of issues that will keep any audience on edge and entertained down to the very last word!

    Very funny piece of theater! With well-written dialogue, and clear characters. And the whole thing happens in the dark! The metaphor works wonderfully and sets up a host of issues that will keep any audience on edge and entertained down to the very last word!

  • Rachel Bublitz: IN TRAINING

    There so much to enjoy in this short by Rachael Carnes, the easy fun dialogue, the desperation of the new hire, the confidence and insane directions from the manager, but I was most drawn to the fact that the play takes place in darkness. IN TRAINING gives its audience the ability to lean forward and use their imagination in a very fun and exciting way.

    There so much to enjoy in this short by Rachael Carnes, the easy fun dialogue, the desperation of the new hire, the confidence and insane directions from the manager, but I was most drawn to the fact that the play takes place in darkness. IN TRAINING gives its audience the ability to lean forward and use their imagination in a very fun and exciting way.

  • Greg Burdick: IN TRAINING

    When you start a new gig, you’re usually in the dark about most everything. Carnes puts us there quite literally in this absurd and satisfying ten minute play. The tense-yet-polite-and-compliant exchanges between the two characters would be great fun for actors... not to mention a delicious challenge, since we never see them once for the play’s duration. Save on your electric bill, give your lighting designer the day off, and give this one a.... listen.

    When you start a new gig, you’re usually in the dark about most everything. Carnes puts us there quite literally in this absurd and satisfying ten minute play. The tense-yet-polite-and-compliant exchanges between the two characters would be great fun for actors... not to mention a delicious challenge, since we never see them once for the play’s duration. Save on your electric bill, give your lighting designer the day off, and give this one a.... listen.

  • Ricardo Soltero-Brown: IN TRAINING

    There's nothing quite like Rachael Carnes having fun. In this short piece written to be performed in total darkness, Carnes still finds time to shed light on power, people, and institutions. The gags and dialogue will cause squirms and squeals of glee.

    There's nothing quite like Rachael Carnes having fun. In this short piece written to be performed in total darkness, Carnes still finds time to shed light on power, people, and institutions. The gags and dialogue will cause squirms and squeals of glee.