Recommendations of Blue

  • Kyle R. Thomas: Blue

    A tremendous, elliptical piece that explores the 'truths' we tell ourselves and how families protect themselves. Felt much longer than 10 minutes. Really works as a short piece. Could also be extrapolated out to great effect. Recommend.

    A tremendous, elliptical piece that explores the 'truths' we tell ourselves and how families protect themselves. Felt much longer than 10 minutes. Really works as a short piece. Could also be extrapolated out to great effect. Recommend.

  • Cheryl Bear: Blue

    What stories are we told and as we discover the truth, how is our perception changed? A powerful look at how a family copes with their truth and how they carry on. Excellent.

    What stories are we told and as we discover the truth, how is our perception changed? A powerful look at how a family copes with their truth and how they carry on. Excellent.

  • Paul Donnelly: Blue

    What a taut and compelling exploration of the demise of a family myth. Despite the harrowing revelations that the adult Lilith comes to accept, she is able to reconcile the truth with her enduring love for her grandparents.

    What a taut and compelling exploration of the demise of a family myth. Despite the harrowing revelations that the adult Lilith comes to accept, she is able to reconcile the truth with her enduring love for her grandparents.

  • Matt Harmon: Blue

    It's safe to say that I'll be thinking about this play all day, and the next, and every one thereafter. Hageman's astounding use of dialogue and pacing makes this ten-minute play feel like Lilith's entire childhood in the best way possible — we learn and grow with her. Hageman says it herself in the synopsis — stories are just stories — but this one is more than a story. It is the evolution of love.

    It's safe to say that I'll be thinking about this play all day, and the next, and every one thereafter. Hageman's astounding use of dialogue and pacing makes this ten-minute play feel like Lilith's entire childhood in the best way possible — we learn and grow with her. Hageman says it herself in the synopsis — stories are just stories — but this one is more than a story. It is the evolution of love.

  • Benji Carr: Blue

    Excellent play with a grand staccato pulse to its dialogue. I saw this performed at the Samuel French Off Off Broadway Play Festival in 2019, and Emily Hageman is a tremendous talent.

    Excellent play with a grand staccato pulse to its dialogue. I saw this performed at the Samuel French Off Off Broadway Play Festival in 2019, and Emily Hageman is a tremendous talent.

  • Nelson Diaz-Marcano: Blue

    A beautiful examination of our heroes and the grandiose storytelling that accompanies their life after death. Hageman mastery of structure in this ten minute should be studied. She says so much without overwhelming, gives us so much without over sharing. Truly a gorgeous work.

    A beautiful examination of our heroes and the grandiose storytelling that accompanies their life after death. Hageman mastery of structure in this ten minute should be studied. She says so much without overwhelming, gives us so much without over sharing. Truly a gorgeous work.

  • Scott Sickles: Blue

    "Even people who are dead age." *clutches chest in heartbreak and awe*

    A beautiful, melodic, deeply theatrical piece honoring the lies children need to hear and the truths we must all eventually accept, whether the story is told to us or about us.

    A great script for comic actors to try their chops at heavier material, as BLUE requires the timing of Swiss clocks and the lightest, deftest touch to provide a spectacular punch.

    "Even people who are dead age." *clutches chest in heartbreak and awe*

    A beautiful, melodic, deeply theatrical piece honoring the lies children need to hear and the truths we must all eventually accept, whether the story is told to us or about us.

    A great script for comic actors to try their chops at heavier material, as BLUE requires the timing of Swiss clocks and the lightest, deftest touch to provide a spectacular punch.

  • Emma Goldman-Sherman: Blue

    This is a stunning short play that deserves every accolade! The reveals page after page move us toward so great an understanding of how the way we see things shape us in the most profound ways. Hageman has given the world a remarkable piece of art that should be produced often! Stunning!

    This is a stunning short play that deserves every accolade! The reveals page after page move us toward so great an understanding of how the way we see things shape us in the most profound ways. Hageman has given the world a remarkable piece of art that should be produced often! Stunning!

  • Dave Osmundsen: Blue

    A simple, yet complex poem of a play about how the stories we tell evolve and change and deepen and darken as we age. Quietly devastating, BLUE plays fast and loose with time and language, making for a wonderfully theatrical experience.

    A simple, yet complex poem of a play about how the stories we tell evolve and change and deepen and darken as we age. Quietly devastating, BLUE plays fast and loose with time and language, making for a wonderfully theatrical experience.

  • Lainie Vansant: Blue

    A gorgeous piece about the stories we tell and the shame we try to hide, often to our own detriment. And inter-generational forgiveness. Beautiful, as always, and full of possibilities for production.

    A gorgeous piece about the stories we tell and the shame we try to hide, often to our own detriment. And inter-generational forgiveness. Beautiful, as always, and full of possibilities for production.