The Trade Federation, or, Let's Explore Globalization Through the Star Wars Prequels

A young experimental playwright named Andy Boyd pitches George Lucas her screenplay for a new Star Wars film. The concept: a prequel to the prequels that fleshes out the economic and social implications of the mysterious intergalactic organization known as The Trade Federation. Replacing the veiled references to colonialism in the original films, Andy’s script is a full-on allegory where The Trade Federation is...

A young experimental playwright named Andy Boyd pitches George Lucas her screenplay for a new Star Wars film. The concept: a prequel to the prequels that fleshes out the economic and social implications of the mysterious intergalactic organization known as The Trade Federation. Replacing the veiled references to colonialism in the original films, Andy’s script is a full-on allegory where The Trade Federation is The International Monetary Fund, the Gungans are the Zapatistas, and the Jedi are an international community reluctant to push for any real structural change – the UN, basically. Lucas thinks the movie sounds really boring and unceremoniously kicks Andy out of his office. Then things really get weird.

The Trade Federation is a play that uses the grand narratives of late capitalism against capitalism itself. It weaponizes one the most successful film franchises of all time against the dead-end ideology of “capitalist realism,” which insists that history is over and that there is “no alternative” to the unfettered rule of the market. No, this play argues, we can always fight back. Star Wars told us so.

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The Trade Federation, or, Let's Explore Globalization Through the Star Wars Prequels

Recommended by

  • What I love about Trade Federation is how it captures that nostalgic feeling of what excited us as a child and then turns into a serious and dark interrogation of memory under an adult lens. The Trade Federation forces us all to confront the rose-tinted glasses of what stories our young selves felt comfort in, and reexamine whether or not we can coexist with those stories today. It's really fun. Highly recommend.

    What I love about Trade Federation is how it captures that nostalgic feeling of what excited us as a child and then turns into a serious and dark interrogation of memory under an adult lens. The Trade Federation forces us all to confront the rose-tinted glasses of what stories our young selves felt comfort in, and reexamine whether or not we can coexist with those stories today. It's really fun. Highly recommend.

  • There's always that point in a playwright's early/"emerging" career where they write about themselves in some way and we should all be thankful Andy did it this way and not any other, mashing together a potent, existential slurry of nerd lore, theatre magic, identity, and sizzling anticapitalism presented in a way that actually makes sense to the uninitiated. I really really hate to say something like this but I have to: these were exactly the droids I was looking for (wrong trilogy, I know).

    There's always that point in a playwright's early/"emerging" career where they write about themselves in some way and we should all be thankful Andy did it this way and not any other, mashing together a potent, existential slurry of nerd lore, theatre magic, identity, and sizzling anticapitalism presented in a way that actually makes sense to the uninitiated. I really really hate to say something like this but I have to: these were exactly the droids I was looking for (wrong trilogy, I know).

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Characters:
Andy Boyd
George Lucas
Nute Gunray
Jar-Jar Binks
Boss Nass
Qui Gon Jin
Obi Wan Kenobe
Padme Amidala
Beth Mackey
A Sith
A whole fuck ton of Storm Troopers

Casting note:
When casting this play, don’t feel constrained to cast according to “authentic” ethnicity or gender. In previous workshops and productions, this play has had a non-binary Boss Nass, a male Beth Mackey, a Middle-Eastern Padme Amidala, and an Asian-American Jar-Jar Binks.

Development History

  • Type Reading, Organization Dixon Place directed by Jonathan Taylor, Year 2018
  • Type Reading, Organization The Trunk Space, Year 2016

Production History

  • Type Professional, Organization Otherworld Theatre, Year 2023
  • Type Professional, Organization IRT, directed by Allen MacLeod, Year 2019
  • Type University, Organization Columbia University directed by Kim Kerfoot, Year 2016

Awards

  • Best Production of the Year
    Maxamoo Theater and Performance Podcast
    Selection
    2019