Do we hold on to terrible books in order to teach people why they're terrible, or destroy them forever? If we choose to destroy them, who gets to say which books are terrible? The way this play engages with the idea of censorship and the way the playwright fleshes out the landscape of this alternate reality are deeply intriguing. Osmundsen possesses a strong artistic voice that we should all be listening to right now.
Do we hold on to terrible books in order to teach people why they're terrible, or destroy them forever? If we choose to destroy them, who gets to say which books are terrible? The way this play engages with the idea of censorship and the way the playwright fleshes out the landscape of this alternate reality are deeply intriguing. Osmundsen possesses a strong artistic voice that we should all be listening to right now.