If you didn’t know what it was about (and if you haven’t seen the synopsis, read the monologue cold), you might expect a comedy.
It begins with a sense of comic absurdity, even though we know a death has occurred. What we don’t know, what we find out, is that death is a fragment lodged in a deep, bloody, unjust societal wound.
Donnelly gives Claudine another miracle: exquisitely contained rage! She has lost too much for surrender to be an option. Not for her. Not for the surviving members of her family.
Intimate, incendiary, unforgettable.
If you didn’t know what it was about (and if you haven’t seen the synopsis, read the monologue cold), you might expect a comedy.
It begins with a sense of comic absurdity, even though we know a death has occurred. What we don’t know, what we find out, is that death is a fragment lodged in a deep, bloody, unjust societal wound.
Donnelly gives Claudine another miracle: exquisitely contained rage! She has lost too much for surrender to be an option. Not for her. Not for the surviving members of her family.
Intimate, incendiary, unforgettable.