Recommendations of Fable

  • Megan Ann Jacobs: Fable

    Unlike many of those who have recommended this piece, I am not familiar with the musical "Gypsy." However, I feel like I am now. The theme of 'who has the right to tell your story' has always spun around and around in my head. I think it's fascinating and DeVita proves that it is. This quick and witty piece makes you fall in love with June and each scene leads you directly into the next. Very well done!

    Unlike many of those who have recommended this piece, I am not familiar with the musical "Gypsy." However, I feel like I am now. The theme of 'who has the right to tell your story' has always spun around and around in my head. I think it's fascinating and DeVita proves that it is. This quick and witty piece makes you fall in love with June and each scene leads you directly into the next. Very well done!

  • Heather Meyer: Fable

    A snappily written play in conversation with the the musical GYPSY from the point of view of June. The script explores the ownership of truth and storytelling. The scenes each deliver history, heart and drama!

    A snappily written play in conversation with the the musical GYPSY from the point of view of June. The script explores the ownership of truth and storytelling. The scenes each deliver history, heart and drama!

  • Jacquelyn Floyd-Priskorn: Fable

    A haunting memory play, FABLE follows a faded star as she fights to keep her name and her story her own. There are hints that our narrator may be slightly unreliable, but as Ethel Merman eloquently tells us, "in the long run, none of us are gonna be remembered for who we really were, or who we thought we were. We’ll be lucky to be remembered at all. So who the hell cares what anybody thinks?" This is a beautiful story and I am so glad to have been able to be a witness to June's version of it.

    A haunting memory play, FABLE follows a faded star as she fights to keep her name and her story her own. There are hints that our narrator may be slightly unreliable, but as Ethel Merman eloquently tells us, "in the long run, none of us are gonna be remembered for who we really were, or who we thought we were. We’ll be lucky to be remembered at all. So who the hell cares what anybody thinks?" This is a beautiful story and I am so glad to have been able to be a witness to June's version of it.

  • John Mabey: Fable

    "The real truth gets in the way of a good story. And that’s the truth." So much amazing dialogue throughout DeVita's epic, tour de force. The staging is also incredibly impressive, making creative use of actors and props with lighting, shadows and dance. Placards seamlessly move us from one location to the next and the story of these women is captivating and moving.

    "None of us are gonna be remembered for who we really were, or who we thought we were. We’ll be lucky to be remembered at all." Nothing about this play is forgettable.

    "The real truth gets in the way of a good story. And that’s the truth." So much amazing dialogue throughout DeVita's epic, tour de force. The staging is also incredibly impressive, making creative use of actors and props with lighting, shadows and dance. Placards seamlessly move us from one location to the next and the story of these women is captivating and moving.

    "None of us are gonna be remembered for who we really were, or who we thought we were. We’ll be lucky to be remembered at all." Nothing about this play is forgettable.

  • D. Lee Miller: Fable

    A look at what ultimately became the musical, Gypsy, through the eyes of June. We can see how a fable was created from truth via a fable! Fable ponders if the truth really matters. There are different responses to this question. A huge Gypsy fan, this resonated with me a lot. The carousel of sniping between mother, daughters and creators is the motor of the story. This would be a great companion to Gypsy or certainly an enlightening piece to accompany a biographical musical writing seminar. Mr. De Vita's knowledge of show biz brings this story to an entertaining life.

    A look at what ultimately became the musical, Gypsy, through the eyes of June. We can see how a fable was created from truth via a fable! Fable ponders if the truth really matters. There are different responses to this question. A huge Gypsy fan, this resonated with me a lot. The carousel of sniping between mother, daughters and creators is the motor of the story. This would be a great companion to Gypsy or certainly an enlightening piece to accompany a biographical musical writing seminar. Mr. De Vita's knowledge of show biz brings this story to an entertaining life.

  • Kenneth N. Kurtz: Fable

    A haunted vaudevillian exploration of the true stories that were swiped, swirled and snipped into the musical Gypsy. Mr. DeVita is a master of style. Now I wish he'd direct his attention to Hamilton, which could equally benefit from revelations of truth.

    A haunted vaudevillian exploration of the true stories that were swiped, swirled and snipped into the musical Gypsy. Mr. DeVita is a master of style. Now I wish he'd direct his attention to Hamilton, which could equally benefit from revelations of truth.

  • Arianna Rose: Fable

    FABLE is astounding in its artistry. I kept reading it, exclaiming "You can DO THAT in a play??!!" I was so sad to have it end. A longtime GYPSY fan, starting with when I played Dainty June myself in our high school production in NJ, I loved this tale of how the musical came about from June's perspective, and the price we pay with our private lives when we are public figures. Complicated mother-daughters dynamics and incisive portraits of Jerome Robbins and Arthur Laurents make for a compelling, totally human story that is riveting from first page to last.

    FABLE is astounding in its artistry. I kept reading it, exclaiming "You can DO THAT in a play??!!" I was so sad to have it end. A longtime GYPSY fan, starting with when I played Dainty June myself in our high school production in NJ, I loved this tale of how the musical came about from June's perspective, and the price we pay with our private lives when we are public figures. Complicated mother-daughters dynamics and incisive portraits of Jerome Robbins and Arthur Laurents make for a compelling, totally human story that is riveting from first page to last.

  • Claudia Haas: Fable

    What a pleasure it is to have June have her say. After seeing many productions of Gypsy, I always wanted more of June. What happened to the breadwinner of many years? DeVita does a stellar job of giving us June Havoc/Havick and the contentious relationship she had with Gypsy/Louise. Her fight for her say in how her life is portrayed resonates. We know the fable. DeVita gives us new perspective. A theatre would do well to stage this as a companion piece to Gypsy (using the same cast!). A talkback after would finally be illuminating.

    What a pleasure it is to have June have her say. After seeing many productions of Gypsy, I always wanted more of June. What happened to the breadwinner of many years? DeVita does a stellar job of giving us June Havoc/Havick and the contentious relationship she had with Gypsy/Louise. Her fight for her say in how her life is portrayed resonates. We know the fable. DeVita gives us new perspective. A theatre would do well to stage this as a companion piece to Gypsy (using the same cast!). A talkback after would finally be illuminating.

  • Marjorie Bicknell: Fable

    I am an uberfan of "Gypsy" and this play made my heart sing! It was fascinating to see both the development of the musical and the lives of its characters from an entirely new perspective, June's. The writing is lovely, the characters sympathetic even when they are not likeable, and the play sure make its point: it's good to be remembered, even if what's remembered is more fable than truth. Please, somebody! Do this play!!

    I am an uberfan of "Gypsy" and this play made my heart sing! It was fascinating to see both the development of the musical and the lives of its characters from an entirely new perspective, June's. The writing is lovely, the characters sympathetic even when they are not likeable, and the play sure make its point: it's good to be remembered, even if what's remembered is more fable than truth. Please, somebody! Do this play!!

  • Chelsea Frandsen: Fable

    I saw "Gypsy" years ago, but I was always more fascinated by June and the facets of her life. This play is like an answer to my prayers. It's a witty, sharp, and beautiful memory play that tugs at heartstrings and makes me grin like an idiot whenever Ethel takes the stage. Thank you Doug DeVita for bringing one of the most fascinating artists to brilliant life!

    I saw "Gypsy" years ago, but I was always more fascinated by June and the facets of her life. This play is like an answer to my prayers. It's a witty, sharp, and beautiful memory play that tugs at heartstrings and makes me grin like an idiot whenever Ethel takes the stage. Thank you Doug DeVita for bringing one of the most fascinating artists to brilliant life!