←Recommendations of A Ten-Minute Play

  • Arianna Rose: Choices: A Ten-Minute Play by James McLindon
    “

    a brilliant, imaginative play about making deals with the devil. As someone with a crushing student loan debt from grad school, this play resonated with me on so many levels. Clever, smart, and a terrific ending - James McLindon has hit it out of the park with CHOICES. It's getting produced and with great reason!

    a brilliant, imaginative play about making deals with the devil. As someone with a crushing student loan debt from grad school, this play resonated with me on so many levels. Clever, smart, and a terrific ending - James McLindon has hit it out of the park with CHOICES. It's getting produced and with great reason!

    ”
  • Cheryl Bear: Choices: A Ten-Minute Play by James McLindon
    “

    A fantastic comedy on escaping crushing student debt that will resonate across the country! How much is it worth, all you have to do is agree to a shorter life and a chip implementation. Well done.

    A fantastic comedy on escaping crushing student debt that will resonate across the country! How much is it worth, all you have to do is agree to a shorter life and a chip implementation. Well done.

    ”
  • Bethany Dickens Assaf: Choices: A Ten-Minute Play by James McLindon
    “

    I highly recommend this intense piece, which confronts the current epidemic of student debt through a smart and gripping conversation. I kept waiting for one of the characters to begin a lecture on our debt crisis but the concept works specifically because of the play's restraint: McLindon is most interested in the characterizations and the human question of what we will stake for a life without shame and despair. The twist comes at just the right moment and is sure to elicit a gasp from the audience!

    I highly recommend this intense piece, which confronts the current epidemic of student debt through a smart and gripping conversation. I kept waiting for one of the characters to begin a lecture on our debt crisis but the concept works specifically because of the play's restraint: McLindon is most interested in the characterizations and the human question of what we will stake for a life without shame and despair. The twist comes at just the right moment and is sure to elicit a gasp from the audience!

    ”