The Machine

2021 Featured Finalist, Blue Ink Playwriting Prize, American Blues Theater
2019 Finalist, Princess Grace Award, New Dramatists

1998. Laney Chamberlain is an acclaimed poet-turned-professor with a severe case of writer’s block. One day, she is approached by the CEO of a tech company with a strange proposition: he wants to design an artificially intelligent computer program that will create works replicating her...

2021 Featured Finalist, Blue Ink Playwriting Prize, American Blues Theater
2019 Finalist, Princess Grace Award, New Dramatists

1998. Laney Chamberlain is an acclaimed poet-turned-professor with a severe case of writer’s block. One day, she is approached by the CEO of a tech company with a strange proposition: he wants to design an artificially intelligent computer program that will create works replicating her poetic voice – in other words, a machine that can write her poetry. This sends Laney through a journey of self-discovery, as she struggles with her identity as an artist in academia, with a tragedy in her recent past, and with the question: what does it mean to lead a creative life in an increasingly technological world?

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The Machine

Recommended by

  • Jenna Jane: The Machine

    This ending literally gave me chills. A stark look at the the definitions of honesty and creativity. A masterclass in writing clear, distinct characters with high stakes.

    This ending literally gave me chills. A stark look at the the definitions of honesty and creativity. A masterclass in writing clear, distinct characters with high stakes.

  • Maximillian Gill: The Machine

    Briskly written and thoroughly engaging, this play asks some of the big questions about humanity, consciousness, and creativity and fails to answer them in very satisfying ways, because of course there are no true answers and the play acknowledges that. At the same time, it is a thoroughly absorbing story of four characters who feel real and instantly relatable. Libby pulls off quite a feat and makes both ideas and characters completely captivating. It is in the tradition of the best science fiction, where humanity is always at the core of a story about technology.

    Briskly written and thoroughly engaging, this play asks some of the big questions about humanity, consciousness, and creativity and fails to answer them in very satisfying ways, because of course there are no true answers and the play acknowledges that. At the same time, it is a thoroughly absorbing story of four characters who feel real and instantly relatable. Libby pulls off quite a feat and makes both ideas and characters completely captivating. It is in the tradition of the best science fiction, where humanity is always at the core of a story about technology.

  • Conor McShane: The Machine

    A terrific, engrossing meditation on the nature of creativity, and really the nature of identity itself. Are we really just a collection of impulses traveling along neural pathways, or is there some spark of magic that makes us who we are? The play's conclusion serves as a surprisingly optimistic look at a way where we don't have to be at odds with the technology that will likely one day outpace us.

    A terrific, engrossing meditation on the nature of creativity, and really the nature of identity itself. Are we really just a collection of impulses traveling along neural pathways, or is there some spark of magic that makes us who we are? The play's conclusion serves as a surprisingly optimistic look at a way where we don't have to be at odds with the technology that will likely one day outpace us.

View all 5 recommendations
MAX, 32. Male.
LANEY, 57. Female.
CHELSEA, 58. Female.
ROY, 61. Male.

Development History

  • Type Reading, Organization The Road Theatre Company (online), Year 2020
  • Type Reading, Organization Stanford Arts Institute / Nitery Experimental Theater, Year 2017

Awards