Recommendations of The Remarkably Unremarkable Crucifixion of Emma Reynolds

  • Christopher Plumridge: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    This monologue is unique, poetic, and simply brilliant. The tension builds throughout, somewhat uncomfortably, right to the abiss of the ending.
    What I love about such good writing is that the reader, or viewer, can make what they will of it, interpret their own way. For me it is a metaphor of the ongoing humiliation of bullying, especially when no-one intervenes, stuck up high for all to see and mock.
    A very powerful monologue as well as being really quite disturbing.

    This monologue is unique, poetic, and simply brilliant. The tension builds throughout, somewhat uncomfortably, right to the abiss of the ending.
    What I love about such good writing is that the reader, or viewer, can make what they will of it, interpret their own way. For me it is a metaphor of the ongoing humiliation of bullying, especially when no-one intervenes, stuck up high for all to see and mock.
    A very powerful monologue as well as being really quite disturbing.

  • RICK PARK: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    Really nice--I mean, the writing, which is super well-paced and just draws the reader (and I am sure, a live audience) in. There is a spooky weirdness to the last few pages that made me shiver. I would LOVE to see this performed! Excellent!

    Really nice--I mean, the writing, which is super well-paced and just draws the reader (and I am sure, a live audience) in. There is a spooky weirdness to the last few pages that made me shiver. I would LOVE to see this performed! Excellent!

  • Samantha Marchant: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    A perfectly paced, traumatizingly horrific, slow burn. Well done!!

    A perfectly paced, traumatizingly horrific, slow burn. Well done!!

  • Charles Scott Jones: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    A kind of magic trick in the title, an oxymoron adjective construction that gives a curious weight and mysteriousness to this monologue from the start. The line breaks as spoken by Emma Reynolds are perfectly timed, the pacing and repetitions are just right. A powerful and poetic address against scapegoating that is so woefully and consistently a part of human nature. This reminds of the early films of Luis Bunuel - phenomenal, would love to see it performed!! If you haven't experienced the work of Daniel Prillaman - WHY NOT? - this would be a great place to start!!

    A kind of magic trick in the title, an oxymoron adjective construction that gives a curious weight and mysteriousness to this monologue from the start. The line breaks as spoken by Emma Reynolds are perfectly timed, the pacing and repetitions are just right. A powerful and poetic address against scapegoating that is so woefully and consistently a part of human nature. This reminds of the early films of Luis Bunuel - phenomenal, would love to see it performed!! If you haven't experienced the work of Daniel Prillaman - WHY NOT? - this would be a great place to start!!

  • Cole Hunter Dzubak: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    God imagine seeing this staged. Imagine seeing the ending of this monologue play out. The confusion, the awe, the fear. Daniel Prillaman delivers with this shockingly brilliant monologue. Emma Reynolds is a fantastic character. I'm just in awe.

    God imagine seeing this staged. Imagine seeing the ending of this monologue play out. The confusion, the awe, the fear. Daniel Prillaman delivers with this shockingly brilliant monologue. Emma Reynolds is a fantastic character. I'm just in awe.

  • Mike Solomonson: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    An intriguing script that breaks the fourth wall and makes the audience an unwitting spectator to Emma's plight, which ultimately creates an uncomfortable level of cognitive dissonance as they consider what led to Emma's circumstances and their ultimate reaction to her predicament.

    An intriguing script that breaks the fourth wall and makes the audience an unwitting spectator to Emma's plight, which ultimately creates an uncomfortable level of cognitive dissonance as they consider what led to Emma's circumstances and their ultimate reaction to her predicament.

  • Jack Levine: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    DANIEL PRILLAMAN’s “The Remarkably Unremarkable Crucifixion of Emma Reynolds” had me totally engrossed. There is so much one can take from this play. Bullying is horrible. This piece had me thinking about social awareness, actions and passivity. Great work!

    DANIEL PRILLAMAN’s “The Remarkably Unremarkable Crucifixion of Emma Reynolds” had me totally engrossed. There is so much one can take from this play. Bullying is horrible. This piece had me thinking about social awareness, actions and passivity. Great work!

  • Hayley St. James: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    Daniel Prillaman continues to leave a haunting impression in my head with this chilling, twisty monologue that mesmerizes and breaks your heart in equal measure. This in performance/production would be such an intense experience for actor or audience. I eagerly await the day that happens.

    Daniel Prillaman continues to leave a haunting impression in my head with this chilling, twisty monologue that mesmerizes and breaks your heart in equal measure. This in performance/production would be such an intense experience for actor or audience. I eagerly await the day that happens.

  • Chandler Hubbard: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    Haunting. Would love to see it onstage.

    Haunting. Would love to see it onstage.

  • Steven G. Martin: The Remarkably Unremarkable Crucifixion of Emma Reynolds

    Hindsight is 20/20, and "The Remarkably Unremarkable Crucifixion of Emma Reynolds" forces an audience to wonder what had happened in the past, and why nothing was done to check it.

    I was filled with dread from the first image of this monologue to its last moments, which seemingly will never end. Anger, too, as I wondered how Emma was put into the position she is in, and guilt, because I didn't do anything to help her.

    Hindsight is 20/20, and "The Remarkably Unremarkable Crucifixion of Emma Reynolds" forces an audience to wonder what had happened in the past, and why nothing was done to check it.

    I was filled with dread from the first image of this monologue to its last moments, which seemingly will never end. Anger, too, as I wondered how Emma was put into the position she is in, and guilt, because I didn't do anything to help her.