Recommendations of I WILL NEVER PLAY HAMLET

  • Evan Spreen: I WILL NEVER PLAY HAMLET

    I love this monologue in contrast with “I will never play Juliet”, I wonder if they were performed together in the past? It captures the subtle differences of male and female ego when in direct comparison. Would truly be a joy to see both of these performed as they are so skillfully written as to provide so much to work with for the actors delivering them.

    I love this monologue in contrast with “I will never play Juliet”, I wonder if they were performed together in the past? It captures the subtle differences of male and female ego when in direct comparison. Would truly be a joy to see both of these performed as they are so skillfully written as to provide so much to work with for the actors delivering them.

  • Rachael Carnes: I WILL NEVER PLAY HAMLET

    Smith's lovely ode to the actor, aged out of roles - and looking back - could express the melancholy of a host of reminiscences, lost opportunities, or just the slow fade of time, that catches up with us all, eventually. The character bemoans the resolution that he'll never play the great prince, that he will always be the sidekick, the fodder, the fool - Can he make peace with it? And how does that light a way forward? A terrific piece for a mature actor, which we need more of.

    Smith's lovely ode to the actor, aged out of roles - and looking back - could express the melancholy of a host of reminiscences, lost opportunities, or just the slow fade of time, that catches up with us all, eventually. The character bemoans the resolution that he'll never play the great prince, that he will always be the sidekick, the fodder, the fool - Can he make peace with it? And how does that light a way forward? A terrific piece for a mature actor, which we need more of.

  • John Mabey: I WILL NEVER PLAY HAMLET

    This beautiful monologue takes you on a journey of desire and longing, but with an edge of comedy that elevates it beyond a typical genre. Paul Smith's, I WILL NEVER PLAY HAMLET, is layered with emotional honesty and authenticity, and a perfect monologue for an older actor looking to portray complex emotions as a finely crafted character.

    This beautiful monologue takes you on a journey of desire and longing, but with an edge of comedy that elevates it beyond a typical genre. Paul Smith's, I WILL NEVER PLAY HAMLET, is layered with emotional honesty and authenticity, and a perfect monologue for an older actor looking to portray complex emotions as a finely crafted character.

  • Jack Levine: I WILL NEVER PLAY HAMLET

    PAUL SMITH is a brilliant playwright. This monologue is a lament by an older actor, who desperately wanted to play the role of Hamlet but never did. “I Will Never Play Hamlet” is a piece which can be performed on Zoom, and it provides a nice role for an older actor. I liked the wit, which added a sweet touch.

    PAUL SMITH is a brilliant playwright. This monologue is a lament by an older actor, who desperately wanted to play the role of Hamlet but never did. “I Will Never Play Hamlet” is a piece which can be performed on Zoom, and it provides a nice role for an older actor. I liked the wit, which added a sweet touch.

  • Doug DeVita: I WILL NEVER PLAY HAMLET

    A lovely, touching rumination of coming to terms with life's disappointments, Paul Smith's monologue cuts deep and true, but with a dry, truthful wit that heals. A wonderful role for an older actor.

    A lovely, touching rumination of coming to terms with life's disappointments, Paul Smith's monologue cuts deep and true, but with a dry, truthful wit that heals. A wonderful role for an older actor.

  • Vivian Lermond: I WILL NEVER PLAY HAMLET

    A beautiful, rhythmic monologue that captures both the humor and poignancy of aging. Love the cadence of language and the strength of the storytelling.

    A beautiful, rhythmic monologue that captures both the humor and poignancy of aging. Love the cadence of language and the strength of the storytelling.

  • Philip Middleton Williams: I WILL NEVER PLAY HAMLET

    A gentle reminder to actors that as the immortal Avery Schreiber once said, "There are no small parts; just short pay." Eric's wistful remembrance of his long career of playing bit parts is charming, honest, and in the end hopeful that while he may never get the big call, he'll still do his best in every part he gets. And failing that, there's always playwriting.

    A gentle reminder to actors that as the immortal Avery Schreiber once said, "There are no small parts; just short pay." Eric's wistful remembrance of his long career of playing bit parts is charming, honest, and in the end hopeful that while he may never get the big call, he'll still do his best in every part he gets. And failing that, there's always playwriting.

  • Robert Weibezahl: I WILL NEVER PLAY HAMLET

    Every artist will relate to this bittersweet monologue, especially artists who have reached theIr later years. Aspirations vs. achievements. Disappointments, resentments, but eternal hope. Smith deftly pulls it off with humor and affection. Eric is a great opportunity for an older actor to shine. Touching and memorable work.

    Every artist will relate to this bittersweet monologue, especially artists who have reached theIr later years. Aspirations vs. achievements. Disappointments, resentments, but eternal hope. Smith deftly pulls it off with humor and affection. Eric is a great opportunity for an older actor to shine. Touching and memorable work.

  • Lisa Dellagiarino Feriend: I WILL NEVER PLAY HAMLET

    What a beautiful monologue about art and aging and letting go of dreams. It’s bittersweet and a fantastic opportunity for an older actor. Lovely work!

    What a beautiful monologue about art and aging and letting go of dreams. It’s bittersweet and a fantastic opportunity for an older actor. Lovely work!

  • John Busser: I WILL NEVER PLAY HAMLET

    Anyone with a creative soul will identify with Paul Smith’s touching inside look at an actor who feels he never got the chance at the role he always longed to perform. The wisdom that comes with age allows him to realize that, although Hamlet is now in his rear view mirror, he still has a part to play in the creation of art. Sad and uplifting at the same time.

    Anyone with a creative soul will identify with Paul Smith’s touching inside look at an actor who feels he never got the chance at the role he always longed to perform. The wisdom that comes with age allows him to realize that, although Hamlet is now in his rear view mirror, he still has a part to play in the creation of art. Sad and uplifting at the same time.