This sly play is demented, relentless, and nightmarish -- by which I mean I love it. A couple in a vaguely-tired marriage finds itself trapped in a No-Exit-with-bread-sticks situation; and while the comic potential of the premise (and <chef's kiss>-worthy title) goes fully and satisfyingly explored, so too does the horror. Prillaman has the courage of his convictions, sticking to his guns as he pushes his scenario further and further, testing its limits until we are fully stuffed with the terror, hilarity, and despair of it all...and yet he finds something very moving in it as well. Brilliant.
This sly play is demented, relentless, and nightmarish -- by which I mean I love it. A couple in a vaguely-tired marriage finds itself trapped in a No-Exit-with-bread-sticks situation; and while the comic potential of the premise (and <chef's kiss>-worthy title) goes fully and satisfyingly explored, so too does the horror. Prillaman has the courage of his convictions, sticking to his guns as he pushes his scenario further and further, testing its limits until we are fully stuffed with the terror, hilarity, and despair of it all...and yet he finds something very moving in it as well. Brilliant.