Recommendations of Tipping

  • Vince Gatton: Tipping

    Take-no-prisoners Badass and unassuming Sadsack meet in a bar — and neither will be the same again. What makes this “two strangers in a fateful chance meeting” play stand out is the rich, vivid color with which both are painted, their oil-and-water vibes operating in delicious counterpoint. An unexpectedly joyful play about deeply unhappy people, with a sweet and salty mix that’s entirely satisfying.

    Take-no-prisoners Badass and unassuming Sadsack meet in a bar — and neither will be the same again. What makes this “two strangers in a fateful chance meeting” play stand out is the rich, vivid color with which both are painted, their oil-and-water vibes operating in delicious counterpoint. An unexpectedly joyful play about deeply unhappy people, with a sweet and salty mix that’s entirely satisfying.

  • Christopher Soucy: Tipping

    Fantastic! This short play has you guessing throughout. So many familiar avenues, but no sure way of knowing the destination. A masterful job of navigating characters through their own pitfalls and insecurities. A perfect play for two actors to really dive into.

    Fantastic! This short play has you guessing throughout. So many familiar avenues, but no sure way of knowing the destination. A masterful job of navigating characters through their own pitfalls and insecurities. A perfect play for two actors to really dive into.

  • Christopher Shultz: Tipping

    A wonderful, relatively simple premise conveyed with a complexity of emotion and insight into human interaction. This play contains one of the best descriptions of depression I’ve ever come across (the “waves” metaphor expressed by the “Sadsack”). The flexibility of Blevins’s characters concerning race and gender is a welcome aspect of the script as well, allowing any actors to take on these terrific roles.

    A wonderful, relatively simple premise conveyed with a complexity of emotion and insight into human interaction. This play contains one of the best descriptions of depression I’ve ever come across (the “waves” metaphor expressed by the “Sadsack”). The flexibility of Blevins’s characters concerning race and gender is a welcome aspect of the script as well, allowing any actors to take on these terrific roles.

  • Paul Donnelly: Tipping

    The connection that emerges between this unlikely couple is revealed wittily and movingly in this well-crafted two-hander. The characters are vividly drawn and their neediness is revealed with great skill.

    The connection that emerges between this unlikely couple is revealed wittily and movingly in this well-crafted two-hander. The characters are vividly drawn and their neediness is revealed with great skill.

  • Rachel Feeny-Williams: Tipping

    Tipping in itself is a topic that's great for discussion, and that is something this play provides loads of. Its such a wonderful feeling to watch these two people go back and forth in an almost 'will they or won't they?' type way. Equipped with Jillian's wonderful dialogue this could be a great piece for two actors.

    Tipping in itself is a topic that's great for discussion, and that is something this play provides loads of. Its such a wonderful feeling to watch these two people go back and forth in an almost 'will they or won't they?' type way. Equipped with Jillian's wonderful dialogue this could be a great piece for two actors.