Refreshing, funny play that undercuts discourse with a beautiful ode to youth, love, and figuring it out in this weird, fucked up world. Smart, heartfelt and humorous, holds a much-needed space for change, time, trial and error, and doubt.

An anthropological and incisive look at New York subculture of the 2020s. The characters are written with a specificity and complexity that make them feel wholly authentic. Christian brilliantly examines the ways in which idealist 20-somethings entangle politics, identity, and morality to justify and explain their actions and impulses. They also break brilliant new ground by digging into the setting - this is a definitive play of this era, grounded to this moment. It felt special getting to see it right now while many of its themes and ideas are still being worked out in real life.

These complex people dealing with evolving identity and relationships and sexuality are incisively rendered and leap off the page. I felt submerged in a specific and vividly depicted world. Politics and philosophy have weaponized roles. Flynn has a unique and compelling voice that grips and challenges the reader.