Recommendations of Stinky Girls

  • Daniel Prillaman: Stinky Girls

    Sullivan goes where Cronenberg would never dare, a sleepover. Saying anything more would spoil the descent, but rest assured it is a bloody, stinky, anguished, manic descent. Good god. A delightful, uncomfortable snapshot of what life brings to the day to day of young women in their mid-20s. It ain't pretty. It's stinky. Stinky stinky stinky.

    Sullivan goes where Cronenberg would never dare, a sleepover. Saying anything more would spoil the descent, but rest assured it is a bloody, stinky, anguished, manic descent. Good god. A delightful, uncomfortable snapshot of what life brings to the day to day of young women in their mid-20s. It ain't pretty. It's stinky. Stinky stinky stinky.

  • Christopher Soucy: Stinky Girls

    Truly anxiety provoking. There is a thick dread to this piece. Mesmerizing and catastrophic at the same time. It reeks of body horror and is so well crafted. Brava, Kelsey Sullivan!

    Truly anxiety provoking. There is a thick dread to this piece. Mesmerizing and catastrophic at the same time. It reeks of body horror and is so well crafted. Brava, Kelsey Sullivan!

  • Sam Heyman: Stinky Girls

    Kelsey Sullivan has a brilliant, terrifying mind. "Stinky Girls" showcases a sensibility unafraid to dig into the unpleasant, unsettling sides of humanity in general, and womanhood in specific. It is a play whose laughter and connective moments give way to horror and despair in exquisite and theatrical ways. I am in awe of this play, and I may need a shower. Highly recommended!

    Kelsey Sullivan has a brilliant, terrifying mind. "Stinky Girls" showcases a sensibility unafraid to dig into the unpleasant, unsettling sides of humanity in general, and womanhood in specific. It is a play whose laughter and connective moments give way to horror and despair in exquisite and theatrical ways. I am in awe of this play, and I may need a shower. Highly recommended!

  • Jillian Blevins: Stinky Girls

    Female body horror hits different. Our whole lives are body horror. Our bodies feel both alien and somehow all that matters about us. Our bodies don’t exist for *us*. We’re taught to hide our biology, our base humanity, our stinkiness… so of course, in private, we wallow in it.

    Kelsey Sullivan’s gross-out horror short makes excellent use of the sacred liminal space that all women know: the sleepover. (Her stage directions note that “there is no time”—she’s right.) Imaginative directors and designers will revel in the mayhem.

    Female body horror hits different. Our whole lives are body horror. Our bodies feel both alien and somehow all that matters about us. Our bodies don’t exist for *us*. We’re taught to hide our biology, our base humanity, our stinkiness… so of course, in private, we wallow in it.

    Kelsey Sullivan’s gross-out horror short makes excellent use of the sacred liminal space that all women know: the sleepover. (Her stage directions note that “there is no time”—she’s right.) Imaginative directors and designers will revel in the mayhem.