It’s a funny, engaging play throughout, but the set-up of THE CURSE by Lisa Dellagiarino Feriend is perfect. And I love knowing what being in this play is taking the protagonist Beth away from. An old false rule of storytelling is to take a premise to its extreme, but Lisa again and again foils this by writing satisfying anti-climatic plays - pulling the rug out of maximalist expectations. I also love plays that revolve around a character who doesn't appear. And it's a marvelous boon to imagine an avenging mermaid under the sea.
It’s a funny, engaging play throughout, but the set-up of THE CURSE by Lisa Dellagiarino Feriend is perfect. And I love knowing what being in this play is taking the protagonist Beth away from. An old false rule of storytelling is to take a premise to its extreme, but Lisa again and again foils this by writing satisfying anti-climatic plays - pulling the rug out of maximalist expectations. I also love plays that revolve around a character who doesn't appear. And it's a marvelous boon to imagine an avenging mermaid under the sea.