Recommendations of The Moth Man Cries

  • Erin Moughon: The Moth Man Cries

    This piece draws you in from the first yelp in a car ride to the final moments (which broke my heart). The emotional rollercoaster is deftly handled by Gibbs' skill with not only dialogue, but also structure. What is family? What makes a monster? What is our place in the world? These are just a few questions Gibbs explores in his incredible love letter to Moth Man and really anyone who feels different. Incredibly well done! I can't wait to see a full production.

    This piece draws you in from the first yelp in a car ride to the final moments (which broke my heart). The emotional rollercoaster is deftly handled by Gibbs' skill with not only dialogue, but also structure. What is family? What makes a monster? What is our place in the world? These are just a few questions Gibbs explores in his incredible love letter to Moth Man and really anyone who feels different. Incredibly well done! I can't wait to see a full production.

  • Craig Houk: The Moth Man Cries

    Having been fortunate enough to attend a live reading of The Moth Man Cries, I was captivated by its exquisite dialogue, richly drawn characters, and deeply human relationships. Gibbs masterfully weaves the folklore of Mothman, the history of Point Pleasant, and the restrictive culture of the Two-by-Twos into a haunting folk-horror tale about faith, identity, and freedom. Poetic, emotionally resonant, and almost musical in its construction, this is, in my humble opinion, a stage-ready work

    Having been fortunate enough to attend a live reading of The Moth Man Cries, I was captivated by its exquisite dialogue, richly drawn characters, and deeply human relationships. Gibbs masterfully weaves the folklore of Mothman, the history of Point Pleasant, and the restrictive culture of the Two-by-Twos into a haunting folk-horror tale about faith, identity, and freedom. Poetic, emotionally resonant, and almost musical in its construction, this is, in my humble opinion, a stage-ready work

  • Michael C. O'Day: The Moth Man Cries

    What are tales of cryptids but another variety of Great American Ghost Story, reminding us that our nation's sins stretch back further in time than we dare imagine? This question is deeply personal for Gibbs, and THE MOTH MAN is a terrific interrogation of Americana that works as a thrilling campfire tale in its own right. Several tales, in fact - a breathtaking melange of disparate theatrical techniques which, like its characters' beloved Beatles albums, combine to make a cohesive masterpiece.

    What are tales of cryptids but another variety of Great American Ghost Story, reminding us that our nation's sins stretch back further in time than we dare imagine? This question is deeply personal for Gibbs, and THE MOTH MAN is a terrific interrogation of Americana that works as a thrilling campfire tale in its own right. Several tales, in fact - a breathtaking melange of disparate theatrical techniques which, like its characters' beloved Beatles albums, combine to make a cohesive masterpiece.

  • Ashton Taylor: The Moth Man Cries

    The Mothman Cries immerses you into a fascinating world that includes Cryptids, Cults, West Virginian History, and characters that feel like people you know with dialects that you can hear in your head just by reading the text. Gibbs creates something unique and valuable in their exploration of family, history, grief, and urban legends.

    The Mothman Cries immerses you into a fascinating world that includes Cryptids, Cults, West Virginian History, and characters that feel like people you know with dialects that you can hear in your head just by reading the text. Gibbs creates something unique and valuable in their exploration of family, history, grief, and urban legends.

  • Rocky Nunzio: The Moth Man Cries

    What Gibbs has done with this play is an impressive bit of writing. We are lured in with a sensational and cryptic title, but what we are rewarded with is not a horror in the strictest sense. What we truly get is an exceedingly personal family drama that looks at the love in broken relationships and how we make peace the sordid past of the places and people we call home. The language is dramatic, ethereal, and still has Gibbs' trademark wit.

    What Gibbs has done with this play is an impressive bit of writing. We are lured in with a sensational and cryptic title, but what we are rewarded with is not a horror in the strictest sense. What we truly get is an exceedingly personal family drama that looks at the love in broken relationships and how we make peace the sordid past of the places and people we call home. The language is dramatic, ethereal, and still has Gibbs' trademark wit.

  • C.C. Gallagher: The Moth Man Cries

    I saw this play's first staged reading and I was blown away. The power of this script is in its characters and its religious themes, and I was left shaken, amused, and devastated. I can honestly say I was on the edge of my seat for much of the show wondering what could possibly happen next, and somehow it just kept on surprising me with every twist! A fantastic play - as a character piece, as horror, and as a work of art.

    I saw this play's first staged reading and I was blown away. The power of this script is in its characters and its religious themes, and I was left shaken, amused, and devastated. I can honestly say I was on the edge of my seat for much of the show wondering what could possibly happen next, and somehow it just kept on surprising me with every twist! A fantastic play - as a character piece, as horror, and as a work of art.

  • Philip Middleton Williams: The Moth Man Cries

    The stories we tell each other, be they drawn from legends, folklore or the bible, play a huge part in our lives and the way we shape them and our connections with each other. In this tale of a legend told by Marshall Logan Gibbs, he takes us into the world seen in terms of historical fact, mystic presence, and harsh reality. The characters are multidimensional and cunningly wrought and the design possibilities are endless. It's more than scary: it's imaginatively real.

    The stories we tell each other, be they drawn from legends, folklore or the bible, play a huge part in our lives and the way we shape them and our connections with each other. In this tale of a legend told by Marshall Logan Gibbs, he takes us into the world seen in terms of historical fact, mystic presence, and harsh reality. The characters are multidimensional and cunningly wrought and the design possibilities are endless. It's more than scary: it's imaginatively real.

  • Aly Kantor: The Moth Man Cries

    A line that immediately stood out to me in this play: "I'm not allowed stories like that." And that is what makes this play so crucial! It blends historical truth and supernatural elements in a way that enlightens as it educates. I love how this play is deeply entrenched in the time period in which it's set, with a layer of historic specificity that makes it feel lived-in and authentic. There are cool opportunities for theatricality, too, from musical transitions to ominous voices.

    A line that immediately stood out to me in this play: "I'm not allowed stories like that." And that is what makes this play so crucial! It blends historical truth and supernatural elements in a way that enlightens as it educates. I love how this play is deeply entrenched in the time period in which it's set, with a layer of historic specificity that makes it feel lived-in and authentic. There are cool opportunities for theatricality, too, from musical transitions to ominous voices.

  • Ross Tedford Kendall: The Moth Man Cries

    Based on a dark, spooky lore of Americana, this play doesn't forget that the characters are the important part of theatre. Tying in legends far older than the 60s, while still grounding it during the Summer of Love and thereabouts, this is a great piece that makes you worry for the people involved, and still bringing in theatrical horror magic.

    Based on a dark, spooky lore of Americana, this play doesn't forget that the characters are the important part of theatre. Tying in legends far older than the 60s, while still grounding it during the Summer of Love and thereabouts, this is a great piece that makes you worry for the people involved, and still bringing in theatrical horror magic.

  • Dan West: The Moth Man Cries

    This haunting and deeply moving coming of age tale explores family, faith, and sense of belonging in Beatles era rural America. Set amidst the fabled late 60s Mothman cryptid sightings, teenager Dellie Harper finds herself confronted with a series of unexpected life changes that make her question her place in her deeply religious community. A beautifully woven narrative of personal loss and supernatural folklore.

    This haunting and deeply moving coming of age tale explores family, faith, and sense of belonging in Beatles era rural America. Set amidst the fabled late 60s Mothman cryptid sightings, teenager Dellie Harper finds herself confronted with a series of unexpected life changes that make her question her place in her deeply religious community. A beautifully woven narrative of personal loss and supernatural folklore.