It's called a soliloquy, Nora!
And what a soliloquy it is!
Often the best monologues are arguments, either with an absent entity, one's self, or both. Here, Syran's speaker is picking a fight with someone who is already gone, leading to physical and emotional declarations, resonating the evolution of boulders into stones, smooth and skippable, jagged and sharp - paradoxically closing the distance in an ever-widening space to force an impossible connection. A powerful and empowering piece!
It's called a soliloquy, Nora!
And what a soliloquy it is!
Often the best monologues are arguments, either with an absent entity, one's self, or both. Here, Syran's speaker is picking a fight with someone who is already gone, leading to physical and emotional declarations, resonating the evolution of boulders into stones, smooth and skippable, jagged and sharp - paradoxically closing the distance in an ever-widening space to force an impossible connection. A powerful and empowering piece!