This play feels so authentic, two young, gay men—one pretty confident in his sexual identity, one far from confident and hiding behind the toxic, male viewpoints that can be so damaging and hurtful. But there’s a courage and poignancy behind Zeke’s words that only become fully apparent in the play’s final line, and that literally stop Beauregard in his tracks. Sickles does a masterful job of portraying a young man’s tentative and terrifying first efforts to acknowledge and accept himself.
This play feels so authentic, two young, gay men—one pretty confident in his sexual identity, one far from confident and hiding behind the toxic, male viewpoints that can be so damaging and hurtful. But there’s a courage and poignancy behind Zeke’s words that only become fully apparent in the play’s final line, and that literally stop Beauregard in his tracks. Sickles does a masterful job of portraying a young man’s tentative and terrifying first efforts to acknowledge and accept himself.