My work explores the “black blossoms” of the human psyche—those inherited traumas and quiet anxieties that rarely surface, but shape how we move through the world. I am drawn to absurd realism because it allows the stage to reflect a character’s internal weight, rather than just the literal world they inhabit.

I believe theater is most potent when it centers voice and rhythm. Influenced by the structural tension of modern drama and the layering of Hip-Hop and R&B, I aim to capture the internal perspective of characters who exist at odds with how they are perceived. Across poetry, fiction, and drama, I return to the idea of stillness as transformation—the moment when a character is forced to confront their own reflections and projections.

In my dramatic work, the stage becomes a conceptual space where environment and psychology evolve together. I am less interested in spectacle than in the “due process” of the self—the ways we prosecute ourselves, the masks we wear, and the slow, difficult path toward recognition.

I create for audiences who are willing to sit with tension—to find meaning in silence, and truth in the absurd.